Hodges' Model: Welcome to the QUAD: museums

Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...

Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts

Wednesday, August 02, 2023

"Rational Concepts" 1977 by Norman Dilworth

"Rational Concepts" 1977 by Norman Dilworth. Tate
© Norman Dilworth

Hodges' model: seeking rational* concepts to deliver person-centred, integrated care and make sense of subjective and objective realities.

ARTIST Norman Dilworth 1931 – 2023 [Born in Orrell, Wigan]
MEDIUM Screenprint on paper
DIMENSIONS Image: 600 × 600 mm
COLLECTION Tate
ACQUISITION Purchased 1981
REFERENCE P07424

[NOT ON DISPLAY]

Tate: https://www.tate.org.uk/art/artworks/dilworth-rational-concepts-p07424

*Irrational too.

I sketched Dilworth's image on 5th March at Tate Liverpool, the exhibition: "Keywords. Art, Society and Culture in 1980s Britain" from 28 Feb 2014 to 11 May 2014.

Monday, March 30, 2020

Exiled from our Museums ...

Questions of Politics, History and Now?

individual
|
INTERPERSONAL : SCIENCES
humanistic ----------------------------------------------- mechanistic
SOCIOLOGY : POLITICAL
|
group - population
self -
- isolation




Past Disquiet - Artists, International Solidarity and Museums in Exile


"The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved."

Kristine Khouri and Rasha Salti, eds. (2019) Past Disquiet: Artists, International Solidarity and Museums in Exile, Chicago, IL., University of Chicago Press.

See also: Exhibition: "Library of Exile"


My source: Cundy, A. (2019) Art's brave new world, Life&Arts, FT Weekend, 9-10 February, p.11.

Wednesday, January 27, 2010

ERCIM News No. 80 Special Theme: "Digital Preservation"

Dear ERCIM News Reader,
ERCIM News No. 80 has just been published at http://ercim-news.ercim.eu/
Special Theme: "Digital Preservation"
- coordinated by Ingeborg Solvberg, Norwegian University of Science and Technology; and Andreas Rauber, Vienna Technical University
- featuring a keynote by Pat Manson, Head of Unit "Cultural Heritage & Technology Enhanced Learning"; European Commission Information Society and Media Directorate-General
Next issue: April 2010 - Special Theme:
"Computational Science/ Scientific Computing: Modelling and Simulation for Research and Industry"
(see call for articles)
Thank you for your interest in ERCIM News.
Feel free to forward this message to others who might be interested.

Best regards,
Peter Kunz

This issue includes:

  • The CARA Approach for Long-Term Preservation and Exploitation of Medical Images and Reports by Hanan Bouzid, et al..
  • Designing a Trusted Distributed Long-Term Archive for Health Records by Frej Drejhammar
  • Providing Web Accessibility for the Visually Impaired by Barbara Leporini, et al..
  • ICASE Project: New Challenges in Computer-Based Assessment by Thibaud Latour and Sandrine Sarre.


ERCIM News

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