Hodges' Model: Welcome to the QUAD

Hodges' Model: Welcome to the QUAD

Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...

Monday, September 14, 2026

Paper: What factors influence evidence use in policy? An updated systematic map

 Abstract  [ REVIEW | Article in Press ]

In 2014, a large systematic map found that relational factors were amongst the most frequently reported facilitators of evidence use in policy. Since then, there has been a growth in evidence-use initiatives and research, many of which have attempted to address relational factors. In this timely updated map, we describe the current state of research about which factors influence evidence use in policy. A search strategy combining ‘evidence’, ‘barriers and facilitators’ and ‘policy/policymakers’ was used to identify studies across 15 electronic databases between 2012 and 2022. Studies were screened for those that include empirical data about evidence use in policy. Data extraction enabled descriptive analyses characterising studies in terms of focus, topic area, setting, and types of factors influencing use. Two thousand, one hundred and ninety-nine studies were included, a 20-fold increase over 10 years. The most commonly reported factors influencing use were the relevance of evidence, and then organisational (resources, skills, personnel and managerial support). A large number of studies reported on evidence-use interventions (n = 877) of which 379 were evaluations. Findings may indicate a shift towards relational and systemic thinking about evidence use. There appears to be a growing recognition of the resourcing, work, time, and workforce required to embed evidence use within and between organisations. With this huge growth in the literature, particularly in new evidence use interventions being tested across policy sectors, continued review and mobilisation is necessary to effectively inform the design and implementation of evidence use interventions and research.


Oliver, K., Malin, J., Akerlof, K.L. 
et al. What factors influence evidence use in policy? An updated systematic map. Humanities and Social Sciences Communications. (2026). 
https://doi.org/10.1057/s41599-026-08391-6

Not a citation for Hodges' model, but I am grateful to Prof. Oliver and co-authors for being able to assist with data extraction using EPPI-Reviewer Screening Wizard. The preceding patience and guidance to complete the coding tasks was also invaluable in being transferable. I learned a great deal and it has been perversely reassuring (disheartening!) to see that the path to final publication is also 'circuitous' for academics.^  An additional lesson is building on existing work and publication (Oliver, 2014) to revisit a method and research question. (Updates to follow).

Previously: 'map' : 'systematic' : 'policy'

^A conclusion, much shared I believe: academic publishing is systematically dysfunctional.

Sunday, September 13, 2026

Book Announcement | The Examined Illness: A Philosopher's Confrontation with Deadly Disease

The Examined Illness
Intellect is pleased to share that The Examined Illness: A Philosopher's Confrontation with Deadly Disease, by Darrel Moellendorf, is out in paperback and hardback.

A visceral personal memoir of being seriously unwell – and the consolations of philosophy during sickness. Being a patient is part of being alive. Disease and serious illness often strike randomly, and when they do, we quickly become subject to the impersonal forces of biochemistry and pharmacology. We rarely think about sickness beforehand and are often totally unprepared for it when it happens. Suddenly, there we are, subject to a standard treatment protocol. Darrel Moellendorf learned this by experience during a month confined to a solitary and sterile hospital room where he received a life-saving stem cell transplant. His room was somebody’s workspace, his schedule was somebody’s work routine, his immune system was systematically crushed, and his prognosis was out of his hands. There was no assurance that it would all work out.

Having spent thirty years teaching philosophy to college students, He was facing the biggest test of all—perhaps the final exam. These are his reflections before, during, and after his cancer treatment, written in real time. He writes, “My brain was sometimes addled by the chemotherapy that sapped my energy and destroyed my immune system, but I wrote out of the conviction that living well includes living well with disease, and eventually living well facing death.” This memoir expresses the conviction that the virtues of patience, courage, trust, and hope serve us well. A measure of good humor also can’t hurt.

Part of the Global Health Humanities series.

Table of Contents

Acknowledgements
Introductory Note

Part I: Diagnosis

1. First Thoughts and Second Opinions
2. Healthcare for All Pt. 1
3. Patients and Patience
4. Father to Son and Back
5. Give It Up for Lent!

Part II: Inside
6. Day 7: The Countdown Begins
7. Day 6: Carpe Diem
8. Day 5: Vegetarianism Is Not an Option
9. Day 4: Sweatin’ and Shakin’
10. Day 3: Making Decisions When You Can’t Think
11. Day 2: Nausea and Fatigue
12. Day 1: Courage
13. Day 0: Communion
14. Day +1: Confinement
15. Day +2: Waiting and Anxiety
16. Day +3: Relaxed
17. Day +4: Toiling and Spinning
18. Day +5: Healthcare for All Pt. 2
19. Day +6: Patience and Hope?
20. Day +7: A Letter Arrives
21. Day +8: Anaemia
22. Day +9: Why I Write
23. Day +10: Why I Dyed My Hair Blue
24. Day +11: Shorn
25. Day +12: Tired, Itchy, and Hiccupping
26. Day +13: Waiting
27. Day +14: Signs of Progress
28. Day +15: Turn Me Lose, Set Me Free
29. Day +16: Fresh Air
30. Day +17: Postponement

Part III: Recovery
31. Home Sweet Home
32. Home Update
33. The Social Determinants of My Survival
34. Letting the Days Go By
35. A Thread of Good Fortune
36. Magical Thinking
37. Hope Kept Me Eating
38. Sunshine, Suffering, Rebirth, and Freedom
39. Food Aversions
40. Inching Towards Normalcy
41. Human Fatigue and Canine Anxiety
42. Healthcare for All Pt. 3
43. Still Wearing My Helmet
44. Same as It Ever Was
45. Who Is That Masked Man?
46. Inspiration in the Oncology/Haematology Waiting Room
47. With a Little Help from My Friends
48. Springtime on My Face
49. Feeling the Love … and the Likes
50. Disease, Bodily Alienation, and Transhumanism
51. Dem Fingernails
52. Traversing the Rim of the Valley of the Shadow of Death
53. The Examined Illness

Epilogue: Living with Mortality
References


Please visit our website for more information:
www.intellectbooks.com/the-examined-illness

--
My source: Georgia Glasspole
Marketing Executive (she/her)
Intellect  | 0117 9589910 | georgia AT intellectbooks.com

Saturday, September 12, 2026

TED - Talks & Listenings

THOUGHT

EDUCATION

DESIGN

  
individual
|
INTERPERSONAL
: SCIENCES             
humanistic ------------------------------- mechanistic
SOCIOLOGY : POLITICAL   
|
group
 
THOUGHT
 
Cognitive maps

Your -
Sense of direction?

Maps

DESIGN

'True South'



Ancient maps - periplus

EDUCATION for All


Maps - Power
 

Our -
Sense of direction?



Previously: 'thought' : 'education' : 'design' : 'cognitive map'

My source:  https://x.com/NobelPrize/status/2098073718371262921?s=20 and @TED_ED

Thursday, September 10, 2026

Is the Individual-Group axis health's proscenium arch?

Speech: “All the world’s a stage”

By William Shakespeare
(from As You Like It, spoken by Jaques)
          
     All the world’s a stage, 
And all the men and women merely players; 
They have their exits and their entrances; 
And one man in his time plays many parts, 
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; 
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad 
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.

Source: https://www.poetryfoundation.org/poems/56966/speech-all-the-worlds-a-stage


TIME FRAMES

'As Shakespeare and his contemporaries wrote for the epic scale, the imaginative commitment and the 360-degree embrace of the Globe so, three hundred years later, generations of playwrights wrote for the velvety darkness, the enclosed acoustic and the picture framing of the proscenium arch.

For a century, the story of the changing world was told inside proscenium theatres, by a series of remarkable playwrights. In over sixty irreverent, illuminating pen portraits – of both famous giants and lesser-known talents – Dominic Dromgoole takes us on a journey from 1865 to 1965, revealing how these writers used the framed stage to reflect the social upheavals of their times.' 

This post began with: 'All the world's a stage', but I realised I'm no Shakespeare. Hodges' model is a frame; and users of the model can put it to work, readily. Be that in the sciences, arts, and across curricula. The 'arch' in Hodges' model appears to be inverted, working from within, rather than out. Similarly to the proscenium arch, however, the model provides a structure, for whatever performance, situated, will surely follow.

Hodges' model: Axes and Domains

Of course, the question posed here might be re-framed as: 

Are the axes of Hodges' model, life and death's proscenium arch?


Dominic Dromgoole (2026) Time Frames: A century of proscenium playwrights. London: Faber. 
https://www.faber.co.uk/product/9780571374113-time-frames/ [Text source].

Previously: 'drama' : 'stage' : 'frame'

Wednesday, September 09, 2026

Bonjour Bayeux: Tapestries Historical & Modern

individual
|
INTERPERSONAL
: SCIENCES             
humanistic ------------------------------- mechanistic
SOCIOLOGY : POLITICAL   
|
group

'I think my favourite story to work on has been the 434 dinosaurs that are in the tapestry.  So much has changed about what we know about dinosaurs and all because the study of fossils and dinosaurs has grown up alongside geological survey for mining and petroleum drilling. Studies say dinosaurs were much more colourful than originally imagined and many were feathered, and in fact birds are their distant relatives.  Only 50 years ago we were taught that oil was made from decomposed dinosaurs and plants. Today research suggests oil formed from aquatic algae, called diatoms.

Much more than half of all life on earth died in a mass extinction at the end of the Cretaceous period. The most agreed upon theory, based on research, suggests the cause was when an asteroid collided with the earth and triggered volcanic eruptions, that disrupted weather patterns, growing seasons and ecosystems.  This one-two punch killed off the majority of Earth’s flora and fauna, including the dinosaurs, all of which were unable to adapt to the changes in climate.'

Sandra Sawatzky -
https://www.theblackgoldtapestry.com/notes

Detail - Panel 1 - Beginnings

The Black Gold Tapestry



THE BRITISH MUSEUM

A historic loan from France

The Bayeux Tapestry

Experience / 10 September 2026 – 11 July 2027


My source: Sandra Sawatzky, Oil in a Material World, Resurgence & Ecologist, Nov/Dec 2022, Issue 335, pp.52-55.

See also: https://www.theblackgoldtapestry.com/

Previously: 'Canada' : 'environment' : 'activism'

Tuesday, September 08, 2026

Climate and the Feeling of [Momentarily] Drier Feet: Australia-Tuvalu Falepili Union Treaty

As is oft the case, I recovered a newspaper cutting (or ripping) that made my feet feel drier, for several moments at any rate ...

Reading this really gave me a lift, given the ongoing state of world events then and now:

Australia-Tuvalu Falepili Union treaty

The Australia-Tuvalu Falepili Union treaty was signed on 9 November 2023 and entered into force on 28 August 2024.

As part of the Falepili Union treaty, Australia has:

  • recognised for the first time in a legally binding treaty, Tuvalu's continuing statehood and sovereignty, notwithstanding the impact of climate-change related sea-level rise
  • committed to assist Tuvalu in response to a major natural disaster, health pandemic or military aggression
  • created a special visa pathway to support mobility with dignity, which will enable citizens of Tuvalu to come to Australia to live, work and study.

There are also obligations under the Treaty to ensure Australian interests are protected and to facilitate the smooth operation of the migration pathway and increased security cooperation:

  • Tuvalu is obliged to ensure its immigration, passport, citizenship and border controls are robust and meet international standards for integrity and security
  • Tuvalu will mutually agree with Australia any partnership, arrangement or engagement with any other State or entity on security and defence-related matters in Tuvalu.

Continued ...

My source: Nic Fildes, Migration: Australia offers Tuvalu residents visa to escape climate change. FTWeekend, 11-12 November 2023, p.4.

Monday, September 07, 2026

Host|Guest by Hospital Rooms

To mark its 10-year anniversary, arts and mental health charity Hospital Rooms presents a major exhibition at Victoria Miro this September.

Bringing together leading contemporary artists from across the Hospital Rooms programme, the exhibition features re-creations of monumental new artworks created for hospitals this year, alongside artists the organisation has collaborated with over the past decade. It reflects on the impact of transforming NHS mental health environments through art, while looking ahead to expanding access to creative programmes nationwide.

Host|Guest


My source: Ellee Su, Gallery, HOSPITAL ROOMS, FT Weekend Magazine, Number 1,192. 5 September 2026, pp.10-11.