Hodges' Model: Welcome to the QUAD: mirroring

Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...

Showing posts with label mirroring. Show all posts
Showing posts with label mirroring. Show all posts

Thursday, February 05, 2026

c/o Jayne Wilton: Reflex-ive :: Reflection - Breathe : DO - REPEAT - WHILE

INDIVIDUAL
|
    INTERPERSONAL    :     SCIENCES               
HUMANISTIC --------------------------------------  MECHANISTIC      
SOCIOLOGY  :   POLITICAL 
|
GROUP

'Many of us will have experienced playing with the interaction of our breath on shiny surfaces such as windows and mirrors, allowing us temporary fields of condensation in which to doodle thoughts or messages. In emergency situations a mirror or shiny surface is held in front of the mouth of a subject to confirm whether or not they are breathing. The Breathe series makes use of these dynamics.

The breath of a series of  individuals was captured on a shiny copper surface and then etched to create a negative of the breath where it sat on the copper plate. The result is a series of evocative landscapes. This work employs and yet subverts traditional printing processes. The inscription of spent breath onto precious metal immortalises a discharge and presents an alternative to portraiture.'

Jayne
Reflection - Reflexive
 
Resuscitation 

 
mirror
Wilton

- is a visual artist who explores the breath as a unit of exchange between people and their environments. Her practice uses darkroom processes with drawing, photography, video and sound to capture the usually invisible trace of breath as it moves across a surface. www.jaynewilton.com





My source and thanks to Jayne Wilton: 

Jayne Wilton. Breathe, Artist's Statement. Resurgence & Ecologist, July/August2023: 339: p.47 & (p.49 image).

Previously: 'breathing' : 'reflex' : 'reflection' : 'art'

Sunday, December 15, 2024

Does the model still work - this way?


Does the model still 'work' -

Group
 |
 POLITICAL       :     SOCIOLOGY  
MECHANISTIC --------------------------------------  HUMANISTIC
          SCIENCES    :    INTERPERSONAL
| 
Individual
POLITICAL

SOCIOLOGY

SCIENCES

INTERPERSONAL



- this way ...?

Saturday, May 07, 2022

"The Ascendants XIV (She Is Here Too But Why Are You?)" 2021, by Wangari Mathenge

 INDIVIDUAL
|

 INTERPERSONAL    :     SCIENCES               
HUMANISTIC --------------------------------------  MECHANISTIC      
SOCIOLOGY  :   POLITICAL 
|
GROUP






 

Ack. Wangari Mathenge

My source: FT.COM/HTSI "HOME is where the ART is".

https://www.ft.com/content/c02b4cec-005b-4fed-9fa2-bfaa648f10c6

Original image: https://www.houldsworth.co.uk/artists/44-wangari-mathenge/works/ 

Caption: The Ascendants XIV (She Is Here Too But Why Are You?), 2021, by Wangari Mathenge © Brian Griffin. Courtesy the artist and Pippy Houldsworth Gallery, London. © Wangari Mathenge 2021


Sunday, November 14, 2021

Opening windows always ...

takes  effort ...
 
takes work ...
 
takes energy ...

Window pulleys - by Peter Jones @h2cm
Window pulleys

individual
|
INTERPERSONAL : SCIENCES
humanistic ----------------------------------------------- mechanistic
SOCIOLOGY : POLITICAL
|
group - population
windows on the soul

I can reflect

Hey! No looking!
frosted glass

windows of opportunity?
the eye
- touch -
the senses

(night) sky
windows on the universe

 

a mirror

science
Window on
GREEN spaces


shared
vision

rich-er picture

role models

stained glass wonder awe fear
social media window to identity
(glass ceilings)
transparency
/ opacity



Windows™

barred window
no light

 perseverance too ...

 

Saturday, August 29, 2020

Reflecting in the Garden: c/o Anish Kapoor

individual
|
INTERPERSONAL : SCIENCES
humanistic ----------------------------------------------- mechanistic
SOCIOLOGY : POLITICAL
|
group - population
Anish Kapoor, Installation view, 2020
Houghton Hall, Norfolk, UK




 

See also: https://hodges-model.blogspot.com/search?q=kapoor

 My sources:

Campbell-Johnston, R. (2020) As maddening as it is mesmerising, The Times, Visual Art, Friday, July 10, p.10. 

Revely-Calder, C. (2020) The pomposity's still there, but so are the moments of magic, The Daily Telegraph, Friday, July 10, p.25.


Friday, March 30, 2018

When a Double-Page Spread is not Enough ...

individual
|
INTERPERSONAL : SCIENCES
humanistic ---------------- the HEALTH RECORD --------------- mechanistic
SOCIOLOGY : POLITICAL
|
group

VA ".. how important is the notion of the book or the page to your research and outcomes?"

AGV "They are fundamental to my research.


I explore the double-page spread as a material support and a discursive space for visual ideas within an exhibition context. ...




The double-page spread is for me an extended space, a place to develop a site-specific practice.


... My intention is to generate meaning through symbolic signification, enhancing its material qualities through mirroring, folds, reflections and echoes."



Source: In Conversation, PRINTMAKING TODAY, Spring 2018, Cello Press Ltd. Volume 27, No. 1 Issue 105, p.4. Victoria Ahrens talks to Altea Grau Vidal about her PhD research and the format of the double-page spread as an opening for all her work.