Euclidean or Projective Care?

How many dimensions does a written - narrative record have?

Sketching out some ideas, I asked the question on Google and as usual an AI Overview response followed - snippet:

AI Overview

A physical written record has two primary spatial dimensions (length and breadth/width) as a flat document, or three dimensions (including thickness or depth/height) when considering its physical form or binding. [1, 2]

In archival and Records Continuum theory, a written record exists dynamically across four conceptual dimensions: [1, 2].

I put the question to the Records Management list with the above snippet and received several useful suggestions and sources. Perhaps I can share that at a future point? 

Acutely aware of not pursuing maths and category theory for its own sake, the query was driven by an attempt to look at Hodges' model in mathematical terms. Starting, rather obviously with the models structure and axes. When the model is assembled, as per many posts, the vertical axis:

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- shouts out the issue of parity and the distinction between mind and body. It does this at the individual and collective level. If we were to draw a silo, a cylinder springs to mind, and there are specific reasons for silos adopting this shape. Descartes gives us the perfect excuse, in the ongoing legacy. 

     Mathematical Visions

The question above came up from Joan L. Richards book 'Mathematical Visions' (c/o Lancaster Univ. library). Euclidean and the emergence of projective geometry is described. There is an interplay between 2D and 3D representation, that made me think about the health record and its dimensions. Not in a dataset sense (multi-dimensional), more generally and concretely(?). A patient's record on paper has physical dimensions (A4), there is a flow. An EHR has its virtual dimensions (discuss!). Abstractly the content is a time machine. At some point in a health encounter it is a literal 'history', the level of detail in accord with the context. The record might present the problem, premorbid situation, diagnosis, current state, observations and prognosis and much more.

I can revisit this, Richards provides a series of figures. We progress from two distinct circles (my silos) through to examples with a discussion of continuity and projection that sees the circles touching, then intersecting. This is a radical axis.

Richards, Joan L. (1988), Mathematical Visions: The Pursuit of Geometry in Victorian England, Boston: Academic Press, ISBN0-12-587445

Book cover: Amazon.

Medicine - Mathematics & History

'We now come to the input of mathematics into medical history, and to the related questions of arithmetic and quantification, ratio and proportion, geometrical argument and diagrams, and probability. Mathematics (consisting in arithmetic, geometry, astrology and music) had an established place in the quadrivium of the medieval arts course; its application to medicine is demonstrated in such textbooks as the Articella, which include treatises on weights and measures, and in studies of proportion and ratio such as those of the medieval Oxford calculators which Italian doctors among others caused to be revived at the beginning of our period. In the sixteenth century, it was a vigorously debated subject; there is a well-documented discussion of the certainty of mathematics, concerning its status in respect to the logical adequacy of its proofs, in which some natural philosophers and doctors (notably Cardano) take part. It will come therefore as no surprise that it was prescribed for doctors by most Renaissance pedagogical writers;  this prescription is often specifically linked to Galen's geometrical (axiomatic) method whose operations are the constitution of objects from elements, the comparison of existing objects and their reduction into their constitutive elements.

Associated with mathematics are diagrams, that is, abstract quantified spatial representations. There is a modern debate about the contribution of technical innovations in illustration in the Renaissance (most notably perspective) to the scientific revolution: this is only relevant here insofar as some participants in this debate argue for the importance of diagrammatic symbolisation of mental abstractions above those, like perspective, which are still representations of the real world, and see the former as a step on the path to full algebraic notation of geometry. Not all Renaissance thinkers were persuaded of their usefulness: Argenterio describes the diagrams of Manardo and Akakia reproduced below as 'vain and false tables and figures'; but I shall argue here that they were related to the uptake of doctors from the arts course insofar as well-known logical diagrams reproduced above (4.3:3) were adapted by them for their own purposes.' pp.171-172.

Maclean, Ian. 2002. Chapter 5, Beyond logic: geometry, proportion, quantity. In Logic, Signs, and Nature in the Renaissance: The Case of Learned Medicine. Cambridge/New York: Cambridge University Press.

Related to ongoing reading, Maclean provides two (among several) historical illustrations (with apologies for the quality) on pp.174-175, the first is from the Wellcome Collection:

Dubois, Jacques, 1478-1555 (Boe͏̈, Jacques, Bois, J. d., Boë, J., del, Boë, J., Del Boë, J., DelBoe͏̈, J., . . . Sylvius/de Bois). (1548). Methodus sex librorum galeni in differentiis et causis morborum et symptomatum in tabellas sex ordine suo conjecta paulo fusius ne brevitas obscura lectorem remoretur & fallat. de signis omnibus medicis, hoc est salubribus, insalubribus, & neutris, commentarius / ... per jacobum sylvium ..Paris: Retrieved from https://www.proquest.com/books/methodus-sex-librorum-galeni-differentiis-et/docview/2090356749/se-2

Jacobus Sylvius, 1539

Which Maclean then translates / interprets (p.174):

Maclean. Figure 5.1, p.174.

'Manardo goes further, and causes and symptoms adapts the square of contraries to represent not only all the possible combinations of temperaments (combinations of cold and hot and wet and dry are cleverly excluded) but also inserts a mediate point to represent the absolutely temperate body: see fig. 5.2.
This adaptation of the square of contraries (which has precedents in the medieval period) shows the appropriation for their own use by doctors of the logical instruments at their disposal.

As we have seen, it is a feature of medical thinking to take into account many circumstantiae or variables, and, over time, the numbers of variables taken into consideration increases.' p.174-175.

Figure 5.2 Giovanni Manardo, p.175.

individual

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humanistic ------------------------------- mechanistic

SOCIOLOGY : POLITICAL   

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quality logic	quantity past - present - future diagrams symptoms - signs
subjective	objective

Previously: 'medicine' : 'history' : 'diagram'

Ann Hutchinson Guest (Obit.), 'Authority on dance notation ... '

'Although there are many forms of dance notation going back to Pierre Beauchamp's system for Baroque dance in the 1680s, Nijinsky had developed his own cryptic version. Ann Hutchinson Guest first tried to reconstruct his work in 1956 after the choreogapher's widow, Romola, gave her his notes. "I spent years trying to work it out," she said, adding with a laugh: And I'm supposed to be the leading authority on dance notation in the world. She told how Nijinsky had revised his notes many times, often contradicting himself. 'We couldn't get anywhere. Romolo was furious. She said it was taking much too long."

    Hutchinson Guest studied dozens of different dance notation systems, translating many of them into Labanotation, a system developed in the 1920s by Rudolf von Laban who was a central figure in European modern dance. According to a  press report in 1954: "The printed Labanotation page looks like a combination of hieroglyphs, pictographs, Morse dots-and-dashes, đoodles, and a musie score turned on edge" 

    It was not until 1980 that she and Claudia Jeschke, a dance historian, succeeded in cracking Nijinsky's code after finding a copy of his annotated score in the British Library.'

Register, The Times.

My source: Ann Hutchinson Guest (Obit.), 'Authority on dance notation known for reconstructing Vaslav Nijinsky's scandalous ballet, L'Après-midi d'un faune'. Register, The Times. 20 April, 2022, p.48.
https://www.thetimes.com/uk/obituaries/article/ann-hutchinson-guest-obituary-hkw8z88ns

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GROUP

abstraction representation interpretation observation - translation code - formalism	body (bodies) symbols - forms dance choreography movement - 4D - time
group ensemble 'anthropological composition?' 'diagnostic grouping'? social - cultural category . . .	'collective power & attention  evinced as time' 'The stage: the space for health'^

Hutchinson Guest in 1956
 Source: The Times.

'Dance has been called moving architecture, a truth which the complexities of contemporary choreography may mask. Not only does the dancer's body form shapes and groups of dancers form moving or static designs, but also group arrangements carve up the stage space, establishing areas of open as well as enclosed space which are significant in their changes and contrasting effects.

While the rccording of movement on paper-dance notation-does not look like movement (disregarding primitive stick figure drawings), there is an "architecture" in the sequence of graphic symbols used to record dance patterns. Over the centuries many different devices have been used to capture dance steps on paper. What are the elements that have to be represented?

The process of dance notation requires reducing four-dimensional movement (time being the fourth dimension) to a two-dimensional surface. The parts of the body in action have to be defined, as does the form of movement involved (flexion, extension, rotation, directional placement) and the duration of each in relation to the overall time structure. In group dances the relationship of dancers to one another must be determined and recorded, as well as their location on stage and their paths of travel. In a dance score each performer is like a small orchestra-arms, legs, head, torso, etc. in motion-this is then multiplied by the number of dancers who are performing individual sequences.'

Guest, A. H. (1990). Dance Notation. Perspecta, 26, 203–214. https://doi.org/10.2307/1567163

^Health is always performed in the political domain, make no mistake (excuses, or exceptions). It is not:

1. Acknowledged, masked - covered by the 'set design' (see #2 below);
2. Implied in the medical, biomedical, bio-psycho-social model;
3. The intermission is neither the time, or place, to reflect upon and critique the political in health :: health in politics.

See also: https://archives.nypl.org/dan/19629

https://en.wikipedia.org/wiki/Ann_Hutchinson_Guest

Previously: 'dance' : 'architecture' : 'movement'  : 'notation'

'Sociological Theory in Transition' (always ..?)

Conclusion: Sociology as a Skin Trade

In other writings (O'Neill, 1972, 1985) I have set out a rival conception of the embodied subject who suffers the hopes and defeats of what I have called 'sociology as a skin trade'. At the same time I began to renovate the imagery of society as a body-politic, to differentiate the levels of the bio-body, the productive body and the libidinal body as sites where human beings pursue the relevant knowledge and values of health, work and happiness. Each level of discourse requires he formulation of relevant technical knowledge (medicine, political economy, sociology and psychoanalysis) and each level has its own emancipatory discourse about health creativity and self-expression. Because each of these discursive interests is likely to be articulated by professional social scientists and therapists, it is necessary to require the institutionalization of mechanisms of political and ethical accountability to laypersons' common-sense knowledge and values regarding their bodies, their families, their work and their souls. Medical and sociological nemesis is not the result of a therapeutic conspiracy against society. It belongs to the radical technological a priori of Western knowledge whose ambition is fundamentally bio-technological. The sin of Adam and Eve was the best humankind could manage at the time. In today's laboratory Adam and Eve can be bypassed and life can be set in motion according to the best genetic formulas. Huge legal, ethical and sociological problems are simultaneously generated. And thus we step into a new 'crisis of opportunity` for which very few social scientists are prepared - whether by training or morals.' p.35.

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psychoanalysis	body as a machine bio-technological body- bio-
sociology	-politic bio-politics of the population

'In concrete terms, starting in the seventeenth century, this power over life evolved in two basic forms ... One of these poles - the first to be formed, it seems - centered on the body as a machine: its disciplining, the optimisation of its capabilities, the extortion of its forces, the parallel increase of its usefulness and docility, its integration into systems of efficient and economic controls, all this was ensured by the procedures of power that characterised the disciplines: an anatomo-politics of the human body.
The second, formed somewhat later, focussed on the species body, the body imbued with the mechanics of life and serving as the basis of the biological processes: propagation, births and mortality, the level of health, life expectancy and longevity, with all the conditions that can cause them to vary. Their supervision was effected through an entire series of interventions and regulatory controls: a bio-politics of the  population. (Foucault, 1980a, p. 139; altered for my emphasis)' p.24.

'Bio-power regulates bodies individually, as in the clinical model. and collectively, as on the model of social medicine. The two strategies are combined to produce the most complete system of discipline ever known in the history of power. Disciplinary power works in hospitals. schools, prisons, armies, factories and bureaucracies. It is compatible with shifting vocabularies of rights, reform and welfare. It is intimate and collective; it is obeyed not because of its power over death but because of its power over life. It is this shift in emphasis that is the source of the expansion of bio-power whose corresponding apparatus we may call the therapeutic state.' p.25.

 

O’Neill, J. Sociological Nemesis: Parsons and Foucault on the Therapeutic Disciplines, Chapter 1 (pp.21-35). In. Wardell, M.L. and Turner, S. (Eds.). (1986) Sociological Theory in Transition. London: Allen & Unwin, Inc. https://digitalcommons.usf.edu/phi_facpub/86

Previously: 'sociology' : 'power' : 'body'

Intelligence - mechanistically speaking^

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Mental Intelligence	We Are Movement - Unlocking Your Physical Intelligence
... ever increasing 'artificial' intelligence   here . . .?	"We?  Yes... We!     We are   a                       MOVEMENT!"

Wayne McGregor (2026) We are Movement: Unlocking Your Physical Intelligence. London: Bloomsbury. (Book cover) https://www.bloomsbury.com/uk/we-are-movement-9781526629531/

My source: Nadia Beard, Our bodies, ourselves. Life&Arts, FTWeekend, 17-18 January, 2026. p.9. 

Previously: 'movement' : 'dance' : 'intelligence' : 'art' : 'body' : 'AI'

^. . . help me find (a) the notation? 

c/o Jayne Wilton: Reflex-ive :: Reflection - Breathe : DO - REPEAT - WHILE

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'Many of us will have experienced playing with the interaction of our breath on shiny surfaces such as windows and mirrors, allowing us temporary fields of condensation in which to doodle thoughts or messages. In emergency situations a mirror or shiny surface is held in front of the mouth of a subject to confirm whether or not they are breathing. The Breathe series makes use of these dynamics. The breath of a series of  individuals was captured on a shiny copper surface and then etched to create a negative of the breath where it sat on the copper plate. The result is a series of evocative landscapes. This work employs and yet subverts traditional printing processes. The inscription of spent breath onto precious metal immortalises a discharge and presents an alternative to portraiture.' Jayne

Reflection - Reflexive   Resuscitation    mirror

Wilton - is a visual artist who explores the breath as a unit of exchange between people and their environments. Her practice uses darkroom processes with drawing, photography, video and sound to capture the usually invisible trace of breath as it moves across a surface. www.jaynewilton.com

My source and thanks to Jayne Wilton: 

Jayne Wilton. Breathe, Artist's Statement. Resurgence & Ecologist, July/August2023: 339: p.47 & (p.49 image).

Previously: 'breathing' : 'reflex' : 'reflection' : 'art'

Person-centredness, Holistic approach, Prevention c/o Hippocrates

“It is more important to know what sort of person 
has a disease than to know 
what sort of disease a person has.” Hippocrates

 

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To say that Hippocrates was ahead of his time is a gross understatement. Hippocrates recognised the importance of person-centredness and prevention, and contributed to the emergence of several medical specialties. (Kostakopoulos, et al., 2024).

'Holistic Approach One of the most significant innovations of the founding father of clinical medicine was the holistic approach for the diagnosis and treatment of disease. This approach is based on the assumption that the human body is a sum of many parts that function in harmony and that if one part is ill, the balance will be affected and the whole person will suffer. Hippocrates considered that patients consisted of body, mind, and spirit and this is also the modern physicians' approach when treating a disease [2].'

Health and social care are still playing catch-up. The vitriolic 'debate' on X over psychiatry - anti-psychiatry and DSM-X. The total inability now to shift to preventive healthcare due to the perverse, entrenched economic incentives, which facilitate increasing inequity, inequality. Whichever Government does switch to preventive medicine, perhaps other governments had better take note?  I think Hippocrates would have approved - wholeheartedly - of Hodges' model.

'Prevention of Disease Another important aspect of Hippocrates' works that is widely applied in 21st-century medicine is the prevention of disease. The phrase “Κάλλιον το προλαμβάνειν του θεραπεύειν,” which means that it is better to prevent than to treat a disease, was the cornerstone of his teachings and is based on the observation that healthy Mediterranean diet and daily moderate physical activity can prevent disease. The ancient Greeks believed that all maladies started from the gut and that walking was the best available medicine [2].'

Kostakopoulos NA, Bellos TC, Katsimperis S, Tzelves L. Hippocrates of Kos (460-377 BC): The Founder and Pioneer of Clinical Medicine. Cureus. 2024 Oct 1;16(10):e70602. doi: 10.7759/cureus.70602. PMID: 39483540; PMCID: PMC11526839.

Gabbard, G. The Person with the Diagnosis. Psychiatric News. 49;6. 19 March 2014. 
https://doi.org/10.1176/appi.pn.2014.3b19.

Brigić, A., Hasanović, M., Pajević, I., Aljukić, N., Hamidović, J., & Jakovljević, M. (2021). Principles of Hippocratic Medicine from the Perspective of Modern Medicine. Psychiatria Danubina, 33(Suppl 4), 1210–1217. 

See also: 'medicine' : 'person' : 'diagnosis' : 'prevention'

Tongues: The Edinburgh Companion to the Global Medical Humanities

Editors: Benjamin Dalton (Lancaster University), Steven Wilson (Queen’s University Belfast), Alex Wragge-Morley (Lancaster) and Stephanie Wright (Lancaster)

NEW Deadline for abstracts: 30 January 2026

The deadline for proposals to participate in a new Edinburgh Companion to the Global Medical Humanities has been extended. Following on from the landmark Edinburgh Companion to the Critical Medical Humanities, this handbook aims to catalyse the emerging field of global, multilingual work in the medical humanities. In its earliest form, the medical humanities sought to recognize the importance of literature and the arts to medical education and communication. In the following decades, scholars have recognized the entanglements that have existed between mind, body and environment – entanglements that call into question still prevalent distinctions between the sciences and the humanities, or between biology and culture (Whitehead et. al., 2016). Now, scholars and practitioners are increasingly bringing global cultures, epistemologies, and languages to bear on the medical humanities. At the same time, new approaches that both challenge and extend the concerns of the medical humanities are emerging in non-Anglophone and non-Western contexts.

This volume will give students and scholars a comprehensive guide to the dynamic and emerging field of global medical humanities – identified as such in recent editorials in Medical Humanities, The Polyphony and The Routledge Handbook of the Medical Humanities. This is a field that engages critically with the notion of global studies, recognizing that some of its iterations simply perpetuate the cultural, epistemic, and cultural hierarchies that have so long dominated the fields of health and the humanities. At once synthesizing and developing the insights of the field, this Edinburgh Companion will deploy the metaphor of the tongue to bring together, without homogenizing, a globally diverse range of contexts and interconnections. The tongue is at once an instrument of speech and a bodily organ that connects people to their cultures and environments. Indeed, through its communicative function and the pleasures and pains of taste, the tongue relates people to the language and foodways frequently taken to define cultures and societies. Moreover, the tongue is an interface for pleasure, intimacy and connection between bodies. And, of course, the tongue quite literally brings the world into the body through acts of taste and eating (Mol, 2021).

On the one hand, therefore, this Companion will deal with language, exploring the manifold ways in which translation between cultural and linguistic contexts can change our understandings and experiences of health. But at the same time, taking its cue from the corporeality of the tongue, it will explore how thought, perception and bodily reality may alter or be altered by movement in and between cultural and linguistic settings. This new handbook will thus serve as a crucial resource for anybody engaging with the trans-cultural and trans-linguistic aspects of health and wellbeing, from scholars and students to medical practitioners and carers.

The handbook will include a foreword by Angela Woods (Durham University), and the editors invite proposals for chapters on any topic relating to the global medical humanities, including but not restricted to:

• Translating the medical humanities across cultures (broadly conceived)
• Vernaculars of healthcare
• Non-verbal languages
• Global conceptions or expressions of pleasure, sexuality, taste, and/or pain
• Bodies, senses and environments
• Failures of language to communicate pain and/or bodily resistance to translation

Abstracts of between 200-300 words should be sent along with a short (50-word max) bio to a.wragge-morley AT lancaster.ac.uk, b.dalton AT lancaster.ac.uk, s.wright9 AT lancaster.ac.uk and steven.wilson AT qub.ac.uk by 30 January 2026. Informal enquiries can be directed the same addresses.

My source: NNMHR list www.jiscmail.ac.uk/NNMHR

Descartes - alive and well ...

... within the Incident Reporting System

'Policy guidance on recording patient safety events and levels of harm 

This guidance is for users of the new Learn from Patient Safety Events (LFPSE) service, to provide context and guidance on selection of appropriate categories when recording incidents. It focuses on which Event Type is appropriate for different circumstances, and how to select the most appropriate options for the Levels of Harm categorisation required within Patient Safety Incidents.'

Previous harm grades

No harm

Low harm

Moderate harm

Severe harm

Death

individual

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humanistic -------------------------------------------  mechanistic

SOCIOLOGY : POLITICAL

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group-population

New psychological harm grades No psychological harm Low psychological harm  Moderate psychological harm Severe psychological harm n/a	New physical harm grades No physical harm Low physical harm Moderate physical harm Severe physical harm Fatal

Q. 'n/a'. Discuss.

CPD reading.                      

Come on Healthcare: catch up will you!

Within philosophy it is recognised that Immanuel Kant provided a means by which the rationalists and empricists can be reconciled. Some background:

In philosophy, rationalism is the epistemological view that "regards reason as the chief source and test of knowledge"[1] or "the position that reason has precedence over other ways of acquiring knowledge",[2] often in contrast to other possible sources of knowledge such as faith, tradition, or sensory experience. More formally, rationalism is defined as a methodology or a theory "in which the criterion of truth is not sensory but intellectual and deductive".[3]  https://en.wikipedia.org/wiki/Rationalism

In philosophy, empiricism is an epistemological view which holds that true knowledge or justification comes only or primarily from sensory experience and empirical evidence.[1] It is one of several competing views within epistemology, along with rationalism and skepticism. Empiricists argue that empiricism is a more reliable method of finding the truth than purely using logical reasoning, because humans have cognitive biases and limitations which lead to errors of judgement.[2] Empiricism emphasizes the central role of empirical evidence in the formation of ideas, rather than innate ideas or traditions.[3] Empiricists may argue that traditions (or customs) arise due to relations of previous sensory experiences.[4]

Historically, empiricism was associated with the "blank slate" concept (tabula rasa), according to which the human mind is "blank" at birth and develops its thoughts only through later experience.[5] https://en.wikipedia.org/wiki/Empiricism

If health and social care, must be evidence-based, then as far as Hodges' model is concerned we are then duty-bound to use the most readily available 'evidence' to us, including (while taking liberties?):

• The structure of national health and social care organisations (NHS, DHSS ...)
• Physical infrastructure
• Human Resources Organisation
• Unions and Labour relations
• Texbooks, journal papers, conferences
• Organisational structures from the regional to the local
• Professional bodies and governance of licensing/registration
• Curricula that students follow^
  
• Models, frameworks, teaching and learning tools and methods
• Data, statistics, information and reporting (national, international)
• Research projects ongoing (whatever scale, methods, methodology)
• Accounts from lived experience of patients, carers and public (^and students)
• Policy
• Funding
• Law relating to Health and Social Care
• Public (Mental) Health? Discuss
• Media (Social) Control, Advertising
• . . .
  

Hodges' model: Structure and Content

Using this evidence, we still see the Cartesian divide, the mind-body distinction writ large in health and social care. The continuing impact is evident in theory, practice, (hence) lived experience, policy and managment. Since its creation in the 1980s, Hodges' model mirrors (literally) this philosophical, epistemological and ontological legacy, thereby acknowledging the ancient history of medicine, and 'modern' development of healthcare and nursing. Through this device, Hodges' model can facilitate debate, critique, reflection, and critical thinking; to encourage progress in our thought, motivations, action and subsequent evaluation.

This explains the structure of Hodges' model and predicts the range (contextual signature) of content when the model is applied.

Evidence permitting of course!

See also: BBC The Great Philosophers:

Series 1: 4. Descartes

Series 1: 5. Spinoza and Leibniz

Series 1: 8. Kant

n.b. I video taped this marvellous series when first screened. When studying for my BA(Hons), audio taped, they also provided a great learning resource in the car. The programmes are on BBC 4 (UK) once again, but are readily accessible.

Free online mindfulness programme & ¥3800 (≈ £20) reward - research study

Dear all,

My name is Francesco Saldarini. I am a postdoctoral fellow at Waseda University (Japan) and a visiting researcher at the University of Surrey. My research focuses on investigating the (potential) effects of mind-body practices (e.g., mindfulness and martial arts) on psychology.

I am running a longitudinal intervention study investigating the effects of a digital mindfulness-based programme on a variety of health and cognitive outcomes and I would like to invite you to participate.

The study takes place entirely online and will require you to participate in two or three main experimental sessions, when you will be asked to complete a task and answer some questions. Each session will take approximately 40 minutes to complete. Moreover, you will get to participate in an online NHS-approved mindfulness-based programme! The programme is pre-recorded and you can flexibly choose when to attend a session. I will also reward you ¥3800 (≈ £20) for your participation.

This study was approved by the Waseda University research ethics committee (REF : 2024 - 314).

If you are interested in participating in the study and wish to know more about it, please contact me at:
w.iac23317 AT kurenai.waseda.jp.

Basic inclusion criteria:

- Currently feeling stressed
- Between 18 and 65 years of age
- Willing to complete a screening questionnaire
- No previous mindfulness experience
- Willing to practice mindfulness for minimum 2 hours per week for 4 weeks

Thank you,

Francesco Saldarini

My source: https://www.jiscmail.ac.uk/cgi-bin/webadmin?A0=VIRTUAL-METHODS

Rachel Jones: Gated Canyons

As mentioned, with three co-authors, we're writing a paper on dental health, and policy frameworks viewed through the (quadratic?) lens of Hodges' model. The exhibition - 'Rachel Jones: Gated Canyons' ends on October 19 (with my next London visit 6-8 November*), so I won't be able to visit now. It's not as if there are key ideas to be found there that will now be missed, but it does sound and look interesting: and - who knows?

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Rachel Jones - artist

On the paper, we are now revising so fingers x'd. This exhibition has toured, so I will of course 'watch the spaces'.

My source: Durrant, N. first night. A tasty body of work. The Times. August 1 2025. p.10.

*BCS AI Health 2025

Dementia in 4x5 by Katherine Hubbard

"The American interdisciplinary artist Katherine Hubbard has spent the past five years documenting her relationship with her ageing mother, Antonette Berger, who in 2020 began exhibiting the first signs of memory loss. Her book The Great Room, set between the four walls of Berger's home in Philadelphia, is a culmination of grief and intimacy, as Hubbard steps into her role as caregiver. Using two large- format 4x5 cameras (which she is both behind and in front of) and drawing on her background n performance art, Hubbard transforms the once safe, domestic space into a psychological playground as the pair navigate their new reality. ...

In this portrait, Hubbard sits with her mother on her bed. Their bodies are reflected in a square nirror offset by a series of other square and rectangular objects (picture frames, windows, the headboard) which fragment the viewer's gaze. "This photograph was taken before she had a diagnosis,' Hubbard tells me. "It was a very confusing time, with a lot of uncertainty and frustration between us. ... 

"І am using the camera as а means of creating time with my mom apart from the brutal task of managing her," Hubbard writes. And to the woman who gave her life: "You might like to know that, when І think of you and see you, it's as a whole person."  

Inès Cross. FTMagazine. 

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one fifty one (hand to face), 2021. Silver gelatin photograph	'The Great Room'
Collaboration Care in the Community	Direction Gaze

Katherine Hubbard

Book: 

THE GREAT ROOM.

Loose Joints, 2025

h290 x w219 mm. 88 pages

Text by Katherine Hubbard. Hardback. £46.00

https://loosejoints.biz/collections/current-titles/products/the-great-room

Photograph: https://companygallery.us/ - https://companygallery.us/exhibitions/the-great-room

Book cover: Amazon
https://www.amazon.co.uk/Katherine-Hubbard-Great-Room/dp/191271969X

My source:
Inès Cross. Katherine Hubbard, FTMagazine. August 9th 2025, #1137. pp.10-11.

Ack. Antonette Berger (mother ...).

Jackanory: Parity of Esteem 'read' c/o Mr Rosen

Individual

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      INTERPERSONAL    :     SCIENCES               

HUMANISTIC  --------------------------------------  MECHANISTIC      

 SOCIOLOGY  :    POLITICAL 

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Group

Michael Rosen's 'SAD BOOK'	Michael Rosen's 'STICKY McSTICKSTICK'

Michael Rosen

'Jackanory'

My source: 

Shop window of The Addyman Annexe - bookshop, Castle St, Hay-on-Wye, 12th August 2025.

Images: 

'STICKY McSTICKSTICK' - https://www.walker.co.uk/

Illustration - https://www.walker.co.uk/author/tony-ross/

'SAD BOOK' - https://www.walker.co.uk/

Illustration - https://www.walker.co.uk/author/quentin-blake/

Previously: 'parity'

Sets in Hodges' model

INDIVIDUAL
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     INTERPERSONAL    :     SCIENCES               

HUMANISTIC --------------------------------------  MECHANISTIC      

SOCIOLOGY  :   POLITICAL 

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GROUP

'The emotions that we want to infer are the seven basic emotion categories. Concretely this set is E = {Anger,  Contempt, Disgust, Fear, Happy, Sadness, Surprise}.' p.111.*	Sets - Venn diagrams Physical obs = { Temperature, Pulse, Respiration, Blood Pressure, Gait ... }
Social = { Friends, Family, Work colleagues, Neighbours ... }	Politics { [Freedom], - Elections, Law, Policy, Government, MPs, Ministers, PM-President ... }

David Sanchez-Mendoza, David Masip, Xavier Baro, and Agata Lapedriza. Emotion Detection Using Hybrid Structural and Appearance Descriptors. In. MDAI 2013: Proceedings of the 10th International Conference on Modeling Decisions for Artificial Intelligence - Volume 8234 November 2013. Pages 105–116 https://doi.org/10.1007/978-3-642-41550-0_10

*I am unable to double-check this reference and hope it is correct(?).

See also:

UNIVERSAL EMOTIONS: Paul Ekman Group

Venn : diagram

Knowledge - Ignorance: Political leaders always seek an informed citizenry. Discuss?

c/o 'The war on knowledge' Simon Schama 
Life&Arts :: FTWeekend

individual

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INTERPERSONAL : SCIENCES

humanistic ------------------------------- mechanistic

SOCIOLOGY : POLITICAL

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group

'As the Founders saw it, the great driver of freedom was knowledge. Two decades before independence, the lawyer and essayist William Livingston insisted in a journal called The Independent Reflector that "knowledge among a people makes them free, enterprising and dauntless; but Ignorance enslaves, emasculates and depresses them". Are you an 'Independent Reflector'? MIND

'In 1779, Thomas Jefferson (who would make sure that his role as "Father of the University of Virginia would be inscribed on his tombstone) championed a Bill for the More General Diffusion of Knowledge. Its purpose would be to "illuminate ... the minds of the people at large" - excluding of course, women and the enslaved - "and more especially to give them knowledge of those facts . .. [that] they may be enabled to know ambition under all its shapes." The 1780 Constitution of the Commonwealth of Massachusetts, primarily drafted by Adams, committed itself to "The Encouragement of Literature" so that "Harvard-College in Cambridge" would be the institution through which the diffusion of "wisdom and knowledge" would ensure health of the body politic.' BODY

PUBLIC 'The informed citizenry' Public understanding of the sciences.

POLITIC 'As Richard D Brown's important history The Strength of a People: The Idea of an Informed Citizenry in America, 1650-1870 points out, all of America's first four presidents (including James Madison) assumed that the security of the republic depended on the "equation of virtue and knowledge". A century later, Calvin Coolidge might assert that "the chief business of the American people is business", but a rich stream of ideas flowing from the learned optimism of the Founders, through the creation of land-grant colleges and the "brain trust" administrations of Franklin Roosevelt, assumed that professors were not the "enemy" but a resource that was indispensable for the good of the nation. The true enemy of American democracy was not professors, but ignorance.'

My source:

Simon Schama. 'The war on knowledge', Life&Arts, FTWeekend, 26-27 April, 2025, pp.1-2.

Previously: 'knowledge' : 'ignorance' : 'political'

Vectors of the Biopolitical - (Chap. 2) c/o Bull

The Concept of the Social

'From one sentence in Aristotle derive two arresting theoret- ical discourses of the twenty-first century: Michel Foucault's biopolitics, provocatively reformulated by Giorgio Agamben in terms of the relationship between sovereignty and the body, and the capabilities approach developed by Amartya Sen and Martha Nussbaum as a means of evaluating and promoting development, justice and freedom. Both are characterized by deep reflection on the sources of Western political thought, and by urgent engagement with contemporary social and legal problems. Both are in some sense biopolitical in that they are shaped by the interplay of the same Aristotelian categories the human and the animal, politics and nature. But they are on opposite sides of the divide that has opened up in the human sciences since the 1960s, and there currently seems no optic through which they might simultaneously be viewed, no way of integrating or comparing their insights.

 

In part, this reflects a situation in which political debate appears to have fragmented into a multiplicity of single issues. The ancient 'Who will rule?' and the modern 'Who shall have what?' have been supplemented by an array of questions that deal with matters once exclusively cultural, personal or natural. For previous eras, the relative integrity and unmalleability of cultures, bodies and environments rendered such questions redundant. Now they frequently appear unanswerable from within established political traditions, and incommensurable in relation to each other. Within this expanded field, biopolitics and the capabilities approach have unusual salience and potential, for both bundle together issues otherwise assumed to be distinct. If they, in turn, could be coordinated, perhaps we could begin to map the new territory.' p.68.

individual

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INTERPERSONAL : SCIENCES

humanistic ------------------------------- mechanistic

SOCIOLOGY : POLITICAL

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group

'Who shall have what?'	nature human - animal bio-
culture	political 'Who will rule?'

Bull, M. (2021) The Concept of the Social, London: Verso.

Objectify me by Nicola L.

Individual

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      INTERPERSONAL    :     SCIENCES               

HUMANISTIC  --------------------------------------  MECHANISTIC      

 SOCIOLOGY  :    POLITICAL 

|

Group

'You can touch my breasts, caress my stomach, my sex. But, I repeat it, it is the last time,' - read a note L. left in a drawer.	Nicola L.  'La Femme Commode' (1969)

Nicola L.

My source: Stoppard, L. Objectify me, House&Home, FTWeekend, 5-6 October 2024, pp.1-2.

'Un Caso Clinico' BUZZATI (I906-I972)

Reading The Theatre of the Absurd earlier this year was a very enjoyable and disconcerting experience. In acknowledgement: I have quoted from the book at length below. I do so to better convey the context, and in the hope other people may similarly obtain and enjoy this classic theatrical text.

Reading, I was reminded of starting my career as a nursing assistant and student nurse, and the 'lock-up' wards: male and female. Listening now to the current Reith Lectures I will post regards: 

Gwen Adshead - Four Questions about Violence

https://www.bbc.co.uk/sounds/play/m0025cmg

As a community mental health nurse in community mental health teams and nursing home liaison, residents on the ground floor (of two or three floors - with 'general') 'knew' there were very poorly people on the top floor. In summer, windows open, they could often be heard shouting and in the night. Inside, for staff, family members, friends became advocates expressing concern for a lack of access to fresh air and sunshine. Something, of course, we can all benefit from. For some residents there was an in-house understanding of NOT wanting to be moved 'upstairs'. At times I gather, if a resident 'played up' such re-location (displacement) was used as a threat: a cue for education.^

DINO BUZZATI (I906-I972)

'In Les Bátisseurs d'Empire the flight from death takes the form of trying to escape upwards. The same image appears in the opposite direction in a remarkable play by Dino Buzzati, the eminent Italian novelist and journalist on the staff of the Corriere della Sera in Milan. This play, first performed by the Piccolo Teatro, Milan, in 1953, and in Paris in an adaptation by Camus in 1955, is Un Caso Clinico. In two parts (thirteen scenes), it shows the death of a middle-aged businessman, Giovanni Corte. Busy, overworked, tyrannized but pampered as the family's breadwinner, whose health must be preserved, he is disturbed by hallucinations of a female voice calling him from the distance and by the spectre of a woman that seems to haunt his house. He is persuaded to consult a famous specialist, and goes to see him at his ultra-modern hospital. Before he knows what has happened, he is an inmate of the hospital, about to be operated on. Everybody reassures him - this hospital is organized in the most efficient modern manner; the people who are not really ill, or merely under observation, are on the top floor, the seventh. Those who are slightly less well are on the sixth; those who are ill, but not really badly, are on the fifth; and so on downwards in a descending order to the first floor, which is the antechamber of death.

In a terrifying sequence of scenes, Buzzati shows his hero's descent. At first he is moved to the sixth floor, merely to make room for someone who needs his private ward more than does. Further down, he still hopes that he is merely going down to be near some specialized medical facilities he needs, and before he has fully realized what has happened, he is so far down that there is no hope of escape. He is buried among the outcasts who have already been given up, the lowest class of human beings - the dying. Corte's mother comes to take him home, but it is too late.

Un Caso Clinico is a remarkable and highly original work, a modern miracle play in the tradition of Everyman. It dramatizes the death of a rich man - his delusion that somehow he is in a special class, exempt from the ravages of illness; his gradual loss of contact with reality; and, above all, the imperceptible manner of his descent and its sudden revelation to him. And in the hospital, with its rigid stratification, Buzzati has found a terrifying image of society itself - an impersonal organization that hustles the individual on his way to death, caring for him, providing services, but at the same time distant, rule-ridden, incomprehensible, and cruel.' 

Esslin, Martin. Parallels and Proselytes, The Theatre of the Absurd. London: Pelican, 1982. (3rd Ed.).pp.277-279.

The Bewitched Bourgeois

^Rest assured, there were and are excellent centers of care too.

Update: 11th January 2025: c/o John Self. Meet the forgotten maestro of the ultra-short story. Saturday Review, The Times, p.15.

'One of his most widely published stories, Seven Floors, is set in a hospital where they put the "mildest cases" on the seventh floor, and so on in increasing order of sickness down to the first floor, which is occupied by those who are "beyond hope"'.

Lawrence Venuti. (2025) The Bewitched Bourgeois, New York: NYRB Classics ISBN: 9781681378671.

Cover image: NYRB.