Hodges' Model: Welcome to the QUAD: printmaking

Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...

Showing posts with label printmaking. Show all posts
Showing posts with label printmaking. Show all posts

Thursday, February 05, 2026

c/o Jayne Wilton: Reflex-ive :: Reflection - Breathe : DO - REPEAT - WHILE

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'Many of us will have experienced playing with the interaction of our breath on shiny surfaces such as windows and mirrors, allowing us temporary fields of condensation in which to doodle thoughts or messages. In emergency situations a mirror or shiny surface is held in front of the mouth of a subject to confirm whether or not they are breathing. The Breathe series makes use of these dynamics.

The breath of a series of  individuals was captured on a shiny copper surface and then etched to create a negative of the breath where it sat on the copper plate. The result is a series of evocative landscapes. This work employs and yet subverts traditional printing processes. The inscription of spent breath onto precious metal immortalises a discharge and presents an alternative to portraiture.'

Jayne
Reflection - Reflexive
 
Resuscitation 

 
mirror
Wilton

- is a visual artist who explores the breath as a unit of exchange between people and their environments. Her practice uses darkroom processes with drawing, photography, video and sound to capture the usually invisible trace of breath as it moves across a surface. www.jaynewilton.com





My source and thanks to Jayne Wilton: 

Jayne Wilton. Breathe, Artist's Statement. Resurgence & Ecologist, July/August2023: 339: p.47 & (p.49 image).

Previously: 'breathing' : 'reflex' : 'reflection' : 'art'

Saturday, November 08, 2025

COP30: Seeking change shopping in the far North & SOUTH

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'John Kørner (born 1967, Danish): Understanding the Impact of Architecture, 12, 2020

Lithograph

Kørner pursues his artistic practice through various media, including painting, printmaking, ceramics, installations, sculpture, videos and theatre work. Throughout his career he has tackled contemporary global issues such as migration, war, and systems of production and consumption. He refers to these as 'Problems' that form an ongoing process of enquiry in his work. In his series of paintings and prints Understanding the Impact of Architecture (begun in 2014) he explores the way architecture influences, impacts and interacts with people and their environment. This print from the series addresses blind consumerism and its effect on the fragile Nordic landscape. It was made at Edition Copenhagen which along with Borch Editions is the other major print workshop in Denmark.

Acquisition supported by AKO Foundation, 2023,7056.2'

Text and my source: British Museum Room 90

Nordic noir
works on paper from Edvard Munch to Mamma Andersson


Exhibition
 / 09 October 2025 – 22 March 2026

See previously: 'care architecture' : 'architecture'

Sunday, January 14, 2024

'Slugfields Luxury Prison' c/o Isabel Rock - artist

"In November 2022, I spent a month on remand at HMP Bronzefield for my part in the Just Stop Oil protests on the M25. I was happy to go to prison for something I know is morally right. Drawing in prison became my saviour against the monotony. I rarely draw from life anymore, but we were given a little notebook in our 'welcome' bags of grey tracksuits, pastel pants and toothbrush." p.19.
"This drawing is Slugfields Luxury Prison, (152×120cm) the institutional blue doors, plastic chairs, toilet in the corner and the panoptican architecture mirror that of Bronzefields. It's not quite finished yet, but it's been a cathartic experience to draw some of my thoughts on prison life and incarceration by the state." Instagram (and image source).

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Rock, I., 'Drawn Behind Bars' 
PRINTMAKING TODAY, Autumn 2023, Cello Press Ltd. Volume 32, Issue 127, p.19-21.

With thanks to Isabel Rock.

Sunday, August 06, 2023

"Shift" c/o Jacqui Symons

"Title: Shift
Artist: Jacqui Symons
Medium: Triptych of Artists’ Books
Year: 2020

Presented as a triptych of artist-books, ‘Shift’ explores three nurses’ individual shifts showcasing the sheer length of each working day through to the complexity and constantly shifting demand on their time, energy, experience, knowledge and empathy. In 2019, Jacqui Symons was artist-in-residence at Central Manchester NHS Foundation Trust. As part of her residency, she shadowed three nurses; the ward sister, a junior sister and a staff nurse, during their 12 and a half hour shifts on an older people’s ward within the hospital. These concertina books chart every minute of these three shifts."


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Shift: 762 Minutes (detail)
Shift: 727 Minutes (detail)
   
 
"When opened, each book is almost 200 metres long - they aim to show the sheer amount of hard work and dedication of each nurse and what they achieved during every moment of their busy shifts.  I found three shifts physically, mentally and emotionally exhausting and I was only observing the nurses' work. The book on the right shows the Ward Sister's - the yellow pages charted breaks for eating, drinking and toilet breaks - less than 30 minutes over the duration of 12 and half hours." p.23.

Shift

My source:

"Shift (727 minutes, 762 minutes and 754 minutes)", Artists' Books. PrintMaking Today, Summer 2023, 32:126. p.23.

https://www.cellopress.co.uk/page/printmaking-today

Image and text: c/o and with thanks - Jacqui Symons

https://jacquisymons.co.uk/

Tuesday, August 16, 2022

Liminal spaces I & II c/o Nan Mulder

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'A Liminal Space II'
21×48 cm mezzotint 2022
'A Liminal Space I'
21.5×48 cm mezzotint 2022




Learning, starting a course of study at whatever stage in life is often likened to a 'journey'. The term liminality is applied to this experience, with its spiritual and transformative connotations, an education rite-of-passage; also specifically in reference to threshold concepts:

https://www.ee.ucl.ac.uk/~mflanaga/popupLiminality.html

Images with thanks to Nan Mulder:

https://www.nanmulder.com/

See also: 'periplus'.

My source: Printmaking Today Summer 2022, 31:122, p.7.
https://www.cellopress.co.uk/page/printmaking-today

(Thanks also to Cello Press - looking f/w to 2023 issues.) 
 

Saturday, August 13, 2022

"Suffering in Silence" c/o David Robertson

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David Robertson www.davidrobertsonprintmaker.com QEST Scholar Instagram.com/multiple_of_one
Suffering in Silence, 2018. Woodcut, each 2000 x 910 mm.
Installation: 2400 x 5500 x 5500 mm






"David Robertson’s immersive print installation explores the stigma around mental health and the difficulties men have in reaching out for help. Consisting of 25 life-sized men, the figure is a self-portrait but is representative of any man. Formed of tally marks, each mark representing an individual." ...
[my emphasis].

The Holburne Museum:
https://www.holburne.org/events/holburne-open-david-robertson/

Image: With thanks to David Robertson

David Robertson
www.davidrobertsonprintmaker.com
QEST Scholar
Instagram.com/multiple_of_one 

My source: Printmaking Today Summer 2022, 31:122, p.7.
https://www.cellopress.co.uk/page/printmaking-today

Tuesday, March 29, 2022

Peine Perdue, Lost Cause* c/o Anaïs Charras

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Peine Perdue/Lost Cause (2021) Drypoint on copper,
chine
collé (Bunkoshi paper), 340 x 500 mm. Edition: 12

 

My source: Anaïs Charras [image], Artist's Eye. Printmaking Today, Vol 31, Issue 121, Spring 2022, p.50.

*We - the people - can, must and will prevail.

Related post: https://hodges-model.blogspot.com/2020/11/self-care-tree-girl.html

 

Sunday, June 13, 2021

Undocumented

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My source:

Pig, C. WARNING: Art Is Dangerous, Profile, Carlos Barberena De La Rocha, PrintMaking Today, Summer 2021, 30: 118. pp.14-16.

https://www.cellopress.co.uk/page/printmaking-today

Image:

https://www.bandoleropress.com/propaganda/category/printmaking


Wednesday, May 05, 2021

Thought Press

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THOUGHT PRESS




"We are 100 UK printmakers creating prints on the theme of childhood memories and imagination, to be sold in aid of two charities - Mind, supporting mental health issues and awareness, and Heart Felt Tips, providing art materials and enabling creative learning opportunities for disadvantaged children. (For more information about these charities and what they do, please visit www.mind.org.uk and www.heartfelttips.co.uk)

Follow the hashtag #thoughtpressproject on social media to see the project in action and development of designs for final prints! Visit the Shop to order a print.

If you'd simply like to add to the funds raised, please donate here:

https://www.justgiving.com/crowdfunding/thoughtpressprojectdonations

My source: Printmaking Today, Spring 2021, Volume 30, Issue 117, p.7.

Thursday, October 15, 2020

Bleeding Hearts: From one domain to the others ...?

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Artist: Andrew Folan 

My source: Printmaking Today, Summer 2020, Vol 2, Issue 114, p.4.

See also: Artisan Media USA

 

Thursday, April 23, 2020

c/o Boccioni - "Empty and Full Abstract of a Head"

"The destruction, in 1927, of a number of plaster and mixed-media sculptures by the Futurist artist Umberto Boccioni (1882-1916) was a tragic loss for avant-garde art. Of the many ground-breaking sculptures he created between c.1913 and 1915, only a handful remain in existence today. Now, using a combination of vintage photographic material and cutting-edge 3D printing techniques, digital artists Matt Smith and Anders Rådén have recreated four of Boccioni’s destroyed works: a volumetric study of a human face titled Empty and Full Abstracts of a Head, and three of the artist’s iconic striding figures. This ground-breaking display enables modern audiences to ‘see’ these lost masterpieces for the very first time."

https://www.estorickcollection.com/exhibitions/boccioni-recreating-the-lost-sculptures

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Umberto Boccioni
Study for ‘Empty and Full Abstracts of a Head’, 1912
Matt Smith and Anders Rådén
Digital rendering (contour) of
Empty and Full Abstracts of a Head


Coin - Boccioni




See also:

https://www.ardi.se/ 

https://www.uniqueforms.net/


Art Images:
https://www.widewalls.ch/boccioni-recreated-sculptures-estorick-collection/

Coin:
https://twitter.com/CorriereQ/status/1252646124898398209?s=20

Cuttings, Back to the Futurism, Printmaking Today, 2019, 28: 112, p.6.

Monday, August 26, 2019

"IV Square" by Sandra Blow RA.


Sandra Blow RA. IV Square (2004)


Screenprint on paper. The Golder - Thompson Gift (2010) (c) The Estate of Sandra Blow

A second print from this issue of Printmaking Today, in which I can see the need for the 'Public Understanding of Science' amid great uncertainty.


My source:
Simmons, R. A Collection of Collections, Printmaking Today, Spring 2019, Volume 28. pp.36-37.


Saturday, March 16, 2019

"Calculated Risk" (2018) Ciara Phillips


Calculated Risk (2018) Ciara Phillips
Relief print and screen-print on paper on paper
Copyright - Courtesy of the artist.

Ciara Phillips

While far from a printmaker (or 'webmaker') Printmaking Today is a real treat. It gets read page-by-page - cover-to-cover and the challenge - finding this image on the cover - is not to be enthused and inspired by several contributions in an issue. I was disappointed there were no back-issues for sale at the recent Print Symposium.


My source: Cover - Printmaking Today, Volume 28, Spring 2019, Issue 109

Sunday, March 10, 2019

'Surgical Procedure' by Hilary Paynter


Social History - Sterile Field


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sterile
field


Surgical Procedure by Hilary Paynter




"Road works to widen the airport road near  
Sumburgh Head uncovered a large and 
complex archeological site that had previously
been considered fairly insignificant." p.160-161.
Full Circle (2010)


With thanks to Hilary Paynter for permission and original tif file.
And to the Print Symposium events in Wrexham.