Dementia in 4x5 by Katherine Hubbard

"The American interdisciplinary artist Katherine Hubbard has spent the past five years documenting her relationship with her ageing mother, Antonette Berger, who in 2020 began exhibiting the first signs of memory loss. Her book The Great Room, set between the four walls of Berger's home in Philadelphia, is a culmination of grief and intimacy, as Hubbard steps into her role as caregiver. Using two large- format 4x5 cameras (which she is both behind and in front of) and drawing on her background n performance art, Hubbard transforms the once safe, domestic space into a psychological playground as the pair navigate their new reality. ...

In this portrait, Hubbard sits with her mother on her bed. Their bodies are reflected in a square nirror offset by a series of other square and rectangular objects (picture frames, windows, the headboard) which fragment the viewer's gaze. "This photograph was taken before she had a diagnosis,' Hubbard tells me. "It was a very confusing time, with a lot of uncertainty and frustration between us. ... 

"І am using the camera as а means of creating time with my mom apart from the brutal task of managing her," Hubbard writes. And to the woman who gave her life: "You might like to know that, when І think of you and see you, it's as a whole person."  

Inès Cross. FTMagazine. 

Individual

|

      INTERPERSONAL    :     SCIENCES               

HUMANISTIC  --------------------------------------  MECHANISTIC      

 SOCIOLOGY  :    POLITICAL 

|

Group

one fifty one (hand to face), 2021. Silver gelatin photograph	'The Great Room'
Collaboration Care in the Community	Direction Gaze

Katherine Hubbard

Book: 

THE GREAT ROOM.

Loose Joints, 2025

h290 x w219 mm. 88 pages

Text by Katherine Hubbard. Hardback. £46.00

https://loosejoints.biz/collections/current-titles/products/the-great-room

Photograph: https://companygallery.us/ - https://companygallery.us/exhibitions/the-great-room

Book cover: Amazon
https://www.amazon.co.uk/Katherine-Hubbard-Great-Room/dp/191271969X

My source:
Inès Cross. Katherine Hubbard, FTMagazine. August 9th 2025, #1137. pp.10-11.

Ack. Antonette Berger (mother ...).

Film: Sanctuary

Book: "Touch" - Line of sight, light touch, looking for (care) assurance if not truth

Sometimes things become clearer
- resolved -
when they touch,
even if as lines they cross
and all is rendered more complex...

individual

INTERPERSONAL : SCIENCES

humanistic ------------------------------------------- mechanistic

SOCIOLOGY : POLITICAL

group

Learning of self and other	Book: Touch
greetings, friendship, relationships, intimacy	the POLITICS of touch power

See also:
Reading between the lines...

2011... looking ahead: Line of sight - Lines of insight

Image source:
http://davidlinden.org

Call for papers: Social Robots: Form, Content, Critique - International Journal of Social Robotics

Dear Humanists,

With the usual apologies for duplications and request for cross-posting to suitable lists and potentially interested colleagues - on behalf of my co-editors:

Call for Papers: Social Robots: Form, Content, Critique
special issue of The International Journal of Social Robotics

Co-editors: Michaela Pfadenhauer (Karlsruhe University / Karlsruhe Institute of Technology), Satomi Sugiyama (Franklin College, Switzerland), Charles Ess (University of Oslo).

We invite papers from scholars and researchers across the disciplines (including philosophy, robot ethics, artificial intelligence, cognitive science, media/sociology, information science, art history) that examine and explore social robots through three distinct but inextricably interwoven frameworks:

• Form/appearance (e.g., human/animal likeness in appearance; everyday media forms and robotic functions; cultural attitudes toward robot forms, etc.)
• Content/AI/applications (e.g., implications of artificial intelligence in everyday human experiences such as memories, relationships, and conceptions of the self and self-understanding;  applications that shape human-robot interactions; applications of mobile media and their implications in human's robotic experiences, etc.)
• Critical issues that undergird the above, including; ethics, intimacy, emotions, authenticity, etc.

Paper submission deadline: 1 January 2014
Notification to authors: 1 March 2014
Submission of authors' revised papers: 1 May 2014
Final acceptance: 1 June 2014
(accepted papers will be immediately published at the IJSR webpage with a Digital Object Identifier for citation purposes)
Publication: August, 2014

The call is an outcome of the COST Strategic Workshop on Social Robotic and Sustainability that took place in Brussels, Belgium, on 10-13 June 2013.
http://www.cost.eu/events/socialrobotics
http://www.cost.eu/

...
Authors are required to register on the website and to follow the Journal's Instructions for Authors' as provided there.

Many thanks in advance,

- Charles Ess
Professor in Media Studies
Department of Media and Communication
Director, Centre for Research on Media Innovations
http://www.hf.uio.no/imk/english/research/center/media-innovations/

University of Oslo
P.O. Box 1093 Blindern
NO-0317
Oslo Norway
email: charles.ess AT media.uio.no

My source: http://digitalhumanities.org/humanist