Space, Leadership, Choice, Politics II - Do Ho Soh

individual

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INTERPERSONAL : SCIENCES

humanistic -------------------------------------------  mechanistic

SOCIOLOGY : POLITICAL

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group-population

	Who do we put on a pedestal?
	Do Ho Suh's Public Figures features an empty pedestal held up by many small figures. Donny Bajohr

Do Ho Suh - Lehmann Maupin

Image: Smithsonian - Take a Closer Look at a Surprising New Sculpture That Rethinks Who We Put on a Pedestal

My source: Andy St. Louis, Sculptural approach to far-fetched ideas, Arts, Life&Arts, FTWeekend, 31 August/1 September 2024, p.12.

Previously on W2tQ: Space, Memory, Home, Organisation I - Do Ho Soh

'Hubris Syndrome'

"There is another!" Karma (2003) by Do Ho Suh

Dementia in 4x5 by Katherine Hubbard

"The American interdisciplinary artist Katherine Hubbard has spent the past five years documenting her relationship with her ageing mother, Antonette Berger, who in 2020 began exhibiting the first signs of memory loss. Her book The Great Room, set between the four walls of Berger's home in Philadelphia, is a culmination of grief and intimacy, as Hubbard steps into her role as caregiver. Using two large- format 4x5 cameras (which she is both behind and in front of) and drawing on her background n performance art, Hubbard transforms the once safe, domestic space into a psychological playground as the pair navigate their new reality. ...

In this portrait, Hubbard sits with her mother on her bed. Their bodies are reflected in a square nirror offset by a series of other square and rectangular objects (picture frames, windows, the headboard) which fragment the viewer's gaze. "This photograph was taken before she had a diagnosis,' Hubbard tells me. "It was a very confusing time, with a lot of uncertainty and frustration between us. ... 

"І am using the camera as а means of creating time with my mom apart from the brutal task of managing her," Hubbard writes. And to the woman who gave her life: "You might like to know that, when І think of you and see you, it's as a whole person."  

Inès Cross. FTMagazine. 

Individual

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      INTERPERSONAL    :     SCIENCES               

HUMANISTIC  --------------------------------------  MECHANISTIC      

 SOCIOLOGY  :    POLITICAL 

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Group

one fifty one (hand to face), 2021. Silver gelatin photograph	'The Great Room'
Collaboration Care in the Community	Direction Gaze

Katherine Hubbard

Book: 

THE GREAT ROOM.

Loose Joints, 2025

h290 x w219 mm. 88 pages

Text by Katherine Hubbard. Hardback. £46.00

https://loosejoints.biz/collections/current-titles/products/the-great-room

Photograph: https://companygallery.us/ - https://companygallery.us/exhibitions/the-great-room

Book cover: Amazon
https://www.amazon.co.uk/Katherine-Hubbard-Great-Room/dp/191271969X

My source:
Inès Cross. Katherine Hubbard, FTMagazine. August 9th 2025, #1137. pp.10-11.

Ack. Antonette Berger (mother ...).

c/o Joan Didion 1934-2021: "Let Me Tell You What I Mean"

"All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dyingfall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what's going on in the picture. Nota bone:

It tells you.

You don't tell it."

 INDIVIDUAL

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 INTERPERSONAL    :     SCIENCES               

HUMANISTIC --------------------------------------  MECHANISTIC   

SOCIOLOGY  :   POLITICAL 

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GROUP

"Let me show you what I mean by pictures in the mind. I began “Play It as It Lays” just as I have begun each of my novels, with no notion of “character” or “plot” or even “incident.” I had only two pictures in my mind, more about which later, and a technical intention, which was to write a novel so elliptical and fast that it would be over before you noticed it, a novel so fast that it would scarcely exist on the page at all. About the pictures: the first was of white space. Empty space."...

My source: BBC Radio 4

Let Me Tell You What I Mean: A New Collection of Essays by Joan Didion

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Episode 4

Book cover: goodreads.com

Text source:
New York Times archive - Why I Write, By Joan Didion, Dec. 5, 1976.
https://www.nytimes.com/1976/12/05/archives/why-i-write-why-i-write.html

Previously on W2tQ: Book: "The Empty Space"