Hodges' Model: Welcome to the QUAD: transhumanism

Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...

Showing posts with label transhumanism. Show all posts
Showing posts with label transhumanism. Show all posts

Friday, September 19, 2025

'Recall Me Maybe' | FT Drama

Stephen Fry and Gemma Whelan star in a new FT drama written by David Baddiel, exploring AI, memory and truth. Fry plays a grandfather with dementia who uses AI to fill in gaps in his memory. While reviewing the archive of his life his family makes a shocking discovery. Which memories are really true? And how AI is defining who we are?

See also: FT Standpoint unveils David Baddiel digital-first drama about AI and dementia -https://www.dropmedia.co.uk/ft-standpoint-unveils-david-baddiel-digital-first-drama-about-ai-and-dementia/

My source: Times Radio. Dom Joly in for Ayesha Hazarika. 1300-1600 BST From 1405-21.
https://www.thetimes.com/radio/show/20250919-32052/2025-09-19

I still need to catch up with last weekend's FT.
https://www.ft.com/video/a4d2ba19-051e-47c5-98ae-c27c59f1b3f0

Monday, March 24, 2025

4Ps - human-MACHINE :: HUMAN-machine

HODGES' MODEL: Axes & Domains
As visited many times here on W2tQ, in Hodges' model I've associated one of 4P's with each of the model's care/knowledge domains. I immediately associated PROCESS with the sciences domain (physical, chemical, biological, geological..), driven by the seemingly process-bound approach of project management, logistics, automation and sequencing. 

This preoccupation can work to the detriment of the user(s) of systems (the public!), devices, interfaces and administrations - record management for example. Allied with POLICY in the political domain you can end up with a massive and technocratic bureaucracy. 


In nursing there was concern when the nursing process emerged that progress of individualised, person-centred care would be overwhelmed with a return to task-oriented care. Patients would literally be processed, in what is a problem-solving algorithm: assess, plan, intervene, evaluate.

Of course,  as in all idealised models, there is overlap between the 4Ps and the model's domains. We speak routinely of social, psychological, and political processes.

The rise of AI however prompts (demands) this debate be re-visited:


SELF / INDIVIDUAL  -  OBJECT / THING
|
      INTERPERSONAL    :     SCIENCES               
HUMANISTIC  --------------------------------------  MECHANISTIC      
 SOCIOLOGY  :    POLITICAL 
|
GROUP

the human -

PURPOSE(S)

the machine -


- can become machine

PROCESS

- can become human


PRACTICE

socio-


POLICY

-political


Previously: 'ethics' : 'nursing process' : '4Ps'

Thursday, February 22, 2024

AI in the Creative Industries: An Interdisciplinary Conference [One week left!]

[reposting as there's just over one week left to submit abstracts for our summer conference on AI]

AI in the Creative Industries: An Interdisciplinary Conference [EXTENDED DEADLINE]

7th June 2024 - Hosted by Futureworks, Manchester UK

Artificial Intelligence has advanced extremely rapidly over the past months. Responses have been polarized; with some predicting the end of the world and others celebrating a technology with the potential to create a new industrial revolution. The biggest difference between these new algorithmic technologies and those that preceded them are the potential for new AI models to generate creative content. Visual art, photography, literature and digital scripting have been produced by AI, to varying levels of success. To the existing debates around AI (questions of ethics, consciousness, or cyborg theory, for example) have arisen new problems regarding the role of art and the artist in the age, not of mechanical reproduction, but mechanical production. Can a robot be creative?

This conference aims to bring together researchers from across media studies, music and sound, the visual arts, video games, film and TV, animation, sociology, history, literature, politics, philosophy and aesthetic theory, to interrogate the growing role of AI in the creative industries, its potentials (both negative and positive), and how we are to react to the rise of AI as both tool and creator.

Abstracts for 20-minute papers are welcomed on subjects including, but not limited to:
  • AI creativity: is it truly creative?
  • AI and transhumanism
  • AI and the question of consciousness
  • Copyright law and artificial intelligence
  • Utilization of AI as a creative tool
  • The depiction of AI in creative media
  • The ethics of AI usage and its potential to help or harm
  • The aesthetics of artificial intelligence
Please submit 250 word abstracts with accompanying 50-word bio and 5 keywords to organizer joe.darlington AT futureworks.ac.uk by 29th February 2024. 

Submissions are encouraged from academics, postgraduate researchers and non-academic speakers alike. Creative practitioners are also welcome, as are those working in the production or utilization of AI.

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Friday, April 08, 2022

"Death and Dying in COVID Times: Necropolitics of ECMO"

c/o Radical Philosophy Hour


 
 
 
INDIVIDUAL
|
 INTERPERSONAL    :     SCIENCES               
HUMANISTIC --------------------------------------  MECHANISTIC      
SOCIOLOGY  :   POLITICAL 
|
GROUP

consciousness

conceptualization


'distance' from power?

vulnerability


"Abstract: The realities forged - and exacerbated by - the COVID19 pandemic have occasioned broader engagement with an otherwise esoteric means of life-support, Extracorporeal Membranous Oxygenation. Commonly known as “ECMO,” this technology functions as a simulated placenta, an exogenous system for oxygenating and circulating blood in gravely ill folks. ECMO is a so-called “heroic measure,” a last ditch and often futile intervention in the care of critically ill adults who are out of other options. ...

death
dignity


ACHILLE MBEMBE
NECRO-POLITICS


... In this talk, we attend to Mbembe’s necropolitics, determinations of who will live and who will die, that inhere in the healthcare rationing of ECMO. We contrast the necropolitical economies of healthcare across three distinct nursing milieux, the United States, the United Kingdom, and Germany. The analytics of necropolitics in ECMO leads us to a critique of the transhuman impulse to attenuate death in the context of neoliberal healthcare economies. We examine the possibilities afforded by new materialist perspectives on the liminality between living and dying in the work and enactment of nursing care. We conclude with a call to speculative ethics for healthcare, attending to current realities while cleaving to what else is possible, a reparatory intervention for the white, cisheteronormative, ableist, colonial, patriarchal structures that enclose terrains of possibility for healthcare and beyond."

 

Wednesday, January 22, 2020

CfP: The Future as a Problem. Between Philosophy and Cultural Studies

Trόpos
Trόpos. Rivista di Ermeneutica e critica filosofica

ed. by Gianni Vattimo and Gaetano Chiurazzi
2020, n. 1

CALL FOR PAPERS
The Future as a Problem. Between Philosophy and Cultural Studies
Edited by Daina Habdankaitė and Davide Sisto

The upcoming issue of Tropos will be dedicated to the concept of future, with a view to reconstructing its peculiar hermeneutics, which is, its theoretical meaning and many nuances.

The topics include but are not limited to:

- Future and technology: political, social and ethical problematics;
- Ontology of the future: classic and contemporary approaches;
- Virtuality and/or possibility in theory and/or in praxis;
- The future of philosophy as a philosophical problem.

Deadlines
Submission deadline: March 31, 2020
Results of blind reviews: April 30, 2020
Publication date: July 2020

Submission Guidelines
Papers should be submitted to:

- Daina Habdankaitė: d.habdankaite AT gmail.com
- Davide Sisto: da.sisto AT gmail.com
- Papers should be in English, French, or Italian.
- Papers should be prepared for blind review (double)
- Each submission should consist of two separate documents containing the following:

1) The full paper including:

- Title
- The full paper should not exceed 50,000 characters in total.
- An abstract of no more than 200 words - also including an English title
- 5 keywords

2) A separate cover letter including the following information:

- The title of the paper
- Your name, affiliation and contact information
- A biographical presentation of 50-60 words.

Presentation of the topic

A quick glance at the current political, social, technological and artistic reality reveals increasing popularity of the discourse about the future which is reconceptualized and scrutinized from both theoretical and practical approaches. As soon as it enters the theoretical field, the question of the future becomes a question of the future of philosophy, to the point that it has been said that the future of philosophy itself might be the philosophy of technology (J. C. Pitt). There is a prominent idea that the technological future will cause a revolution in interpersonal relations: the increasingly frequent interaction with AI (vocal assistants, chatbots, etc.) is generating new relationships between human beings and robots, causing problems that are still unclear, but are starting to attract the attention of scholars and researchers.

The omnipresence of digital objects, especially within social networks, has often determined a pathological nostalgia for the past: when the past tends to overlap with the present, making itself indistinguishable from the latter, we tend to look back and to not look in front of us. The inability to distinguish the present from the past is also connected to the modus essendi of contemporary neoliberalism, which in the name of "there is no alternative" forces us to spend all our energy in recovering the past: we would be not able to build a new future anymore since it appears impossible to be done a priori.

This tendency, according to which we refuse the unusual and keep alive the usual, has been described, in the context of Cultural Studies, as retromania (S. Reynolds), or as slow cancellation of the future (M. Fisher, F. Bifo Berardi) This general pessimism is also connected to the idea that we are approaching the end of the world. The economic and the environmental crisis, combined with the eternal and suffocating presence of the past, are determining the spread of apocalyptic philosophies that, starting from the cosmic pessimism of G. Anders, stress that the end of humanity is near (D. Danowski; E. Viveiros de Castro; E. Thacker; J. Bridle), or even that the end of the Earth itself is coming, to the point that the even the bringing a new life to the world is questioned from the moral standpoint (D. Benatar; T. Ligotti).

On the other hand, an optimistic view of our technological future can be also encountered. The present age focused on technological and digital enhancement has produced the diffusion of transhumanist ideas revolving around the vision of the entire humanity soon gaining access to the eternal life, sometimes in the form of the digital immortality, through which human beings are to be replaced with their digital identities (from avatars to holograms). In other words, there is hope for death to be defeated.

From a more general point of view, the future is a challenging philosophical problem, engaging discourses in the realms ranging from metaphysics and ontology to politics and ethics. After the spectrality of Derrida and virtuality of Deleuze, that have marked the discourse of the 20th century, new ontologies are being formed as either a direct response to the limits of deconstruction, a continuation of non-essence based ontology or an attempt to make a significant conceptual shift in contemporary metaphysics. With the rise of different versions of speculative realism (Q. Meillassoux, G. Harman, R. Brassier, I. H. Grant) and new materialisms (K. Barad, R. Braidotti, E. Grosz, J. Benett) classical philosophical notions of virtuality, potentiality, matter, technology, human and many others are being reshaped and rearticulated not without an attempt at building bridges with other discourses such as science, feminism, science fiction, visual arts, etc. The vast array of different takes on classic philosophical problems share a similar urge for reshaping philosophical discourse as such and very often reconceptualizing the question of the future turns out to be also an attempt at reimagining the future of philosophy itself.
...

General information
Publisher Website:
http://www.aracneeditrice.it/aracneweb/index.php/rivista.html?col=tropos
Journal Website:
http://troposonline.wordpress.com
Journal Email Address:
tropos.filosofia AT unito.it

Indexed in: Philosopher’s Index, Philosophy Research Index, Catalogo Italiano dei Periodici (ACNP)
Questions are welcome and should be directed at the editors of the current issue:

- Daina Habdankaitė d.habdankaite AT gmail.com
- Davide Sisto: da.sisto AT gmail.com

My source:
Philos-L "The Liverpool List" is run by the Department of Philosophy, University of Liverpool https://www.liverpool.ac.uk/philosophy/philos-l/ Messages to the list are archived at http://listserv.liv.ac.uk/archives/philos-l.html.
Recent posts can also be read in a Facebook group: https://www.facebook.com/PhilosL/ Follow the list on Twitter @PhilosL. Follow the Department of Philosophy @LiverpoolPhilos