Michel Serres in "A planetary art beyond the human"
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"In the mid- 1990s, Michel Serres was already registering the devastating impact of ‘dense tectonic plates of humanity’ on a hitherto ‘mute world’.1 Our excesses, he writes, have awoken the ‘mute, passive, obscure things’ around us that had ‘obediently slumbered’, but will now respond to us with violence.2 In such discourse we recognize the now common tropes of thresholds and tipping points, often deployed by climate scientists and echoed by scholars who assert that humans are now truly ‘geological agents’ in their impact on the planet.3 ... |
... Getting to grips with the consequences of human activity for the Earth’s systems is unarguably an essential step in forging policies to mitigate the damage. But in the political urgency that shapes many debates about climate change, there is a risk, as Dipesh Chakrabarty points out, that ‘humans emerge as the subject of the drama of the Anthropocene’ while geological time fades from view.4 An emphasis on human agency may simply lead us full circle, back to the anthropocentric conception of a docile Earth made up of inert matter, only stirred by our own excesses, and waiting to be saved or destroyed by its human inhabitants." p.31. |
See also:
Jones, P. (2008) Exploring Serres’ Atlas, Hodges’ Knowledge Domains and the Fusion of Informatics and Cultural Horizons, IN Kidd, T., Chen, I. (Eds.) Social Information Technology Connecting Society and Cultural Issues, Idea Group Publishing, Inc. Chap. 7, pp. 96-109.
Consider also - 'deep' within Hodges' model:
DEEP space, time, ecology, links, design ... DEEP CARE.