"Quod" by Barbad Golshiri

c/o Artist and 2014 Tate Liverpool/British Museum?

"I have made several works based on Malevich. One of these is called Quod 2010, which features words in Persian of the prison memories of A’ezam, a political prisoner of the 1980s, retold by Akbar Sardouzami. Quod is a rectangular diminishing spiral, and, unlike exotic and commodified calligraphies, is deeply rooted in the unique experience of reading it - which in itself stimulates nausea.

A’ezam has been degraded and tortured, living in timelessness and facelessness. She has nothing, and has turned to nothing, she says. Then one day she finds a rusty pin in her solitary confinement. She starts to draw squares, and the squares become her world: ‘Then I saw if I draw a square within another square and reach the depth, the square turns to a point. The cell was too dark, but I could see a point in the middle of the square that helplessly looked up at me and said: you should testify that I’ve been a square. You are the only one who knows that I have been and still am a square.’"

Please see:
TATE ETC 15 AUGUST 2014. Barbad Golshiri on Malevich.

INDIVIDUAL

|

     INTERPERSONAL    :     SCIENCES               

HUMANISTIC --------------------------------------  MECHANISTIC      

SOCIOLOGY  :   POLITICAL 

|

GROUP

	QUOD 2010

Source:

My notebook from 2014, with sincere thanks to Barbad Golshiri and (ack.) Tate Liverpool & British Museum. I'm unclear on the exact source for this post. It may be both Tate and British Museum, as when in London I always try to visit room 90(a) at the latter.

This is still part of working through books, papers, notebooks - prior to moving.