Diagrams - AMO/OMA at Prada Foundation Venice

"There is no such thing as an innocent map, observes Philippe Rekacewicz in his catalogue essay that accompanies Diagrams, a new exhibition at the Prada Foundation in Venice.

A renowned cartographer, the Paris-born Rekacewicz is well aware of his medium's capacity to transform narratives for good and ill. His own work includes maps that illustrate the deaths of migrants as they bid for new lives in Europe. "A map," Rekacewicz continues, "is above all a social and political act - and therefore inherently subjective."' p.5.

Individual

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      INTERPERSONAL    :     SCIENCES               

HUMANISTIC  --------------------------------------  MECHANISTIC      

 SOCIOLOGY  :    POLITICAL 

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Group

Am I Free? My history ...	Philippe Rekacewicz / The African big wheel, 2007 The wheel symbolizes permanence and continuity in the context of a profoundly unequal exchange, drawing, color pencil and ink, exhibition copy. Courtesy Philippe Rekacewicz (Image credit: Philippe Rekacewicz)
SOCIETY ... is our history ...	Freedom National & International Law Justice

'Other pictures are equally revealing for what they conceal. Consider the diagram entitled "Universal commercial history", a visual analysis drawn up by the Scottish engineer William Playfair in 1805 which traces the rise and fall of global wealth since 1500 BC against what he terms "Remarkable Events Relative to Commerce". Playfair, who is said to have invented the pie chart, includes moments such as "Rome founded" "Mahomet's Flight" and "America discovered". He never mentions slavery.

With such a broad-brush approach, lacunae are inevitable. It is a shame that the work of Viennese social scientist Otto Neurath - who, along with his wife Marie and colleague Gerd Arntz, invented the Isotype (International System of Typographic Picture Education) - is not on show. Based on pictograms, Neurath's Isotypes are an lmportant forerunner to the digital vernacular (from emojis to icons) so familiar to us today. Nor does the exhibition include maps of the devastation of Gaza since October 2023, such as those made by investigative research agency Forensic Architecture, which are proving among the most critical diagrams of our time.' p.5.

Philippe Rekacewicz - https://www.grida.no/resources/10988

My source:

Rachel Spence. Hidden truths in the best laid plans. Diagrams | What charts, maps and graphics can - and can't - tell us. Collecting, FTWeekend. 26-27 April 2025. p.5. 

With many thanks acknowledging length of quotation.

Image source:

https://www.wallpaper.com/architecture/oma-amo-diagrams-prada-foundation-venice

See also: 'icon' : 'symbols' : 'diagram' : 'map' : 'Forensic Architecture'

Archived listing Links II Sciences - inc. 'Diagrams' & 'Visualization I' and 'II': 

https://web.archive.org/web/20150822143740/http://www.p-jones.demon.co.uk/linksTwo.htm

Globally - seeking the ink of scholars

The Ink of the Scholars:
Reflections on Philosophy in Africa

Since the late 1980s, in trying to understand Hodges' model, especially its political dimensions beyond nurses as advocates, the mental health act, choice and self-determination. To be followed by consent, then informed consent, mental capacity, human rights, equality, protected characteristics, safeguarding, equity, social in-justice; I've then questioned my assumed neutrality of the model. 

Allied to this is the fact that Hodges' model is one of many models and frameworks, largely created in the developed world. What alternative viewpointsof nursing, care and philosophies are there? Do these challenge Hodges' model? Or, can Hodges' model also encompass them, in a complementary manner?

Serendipity, or ADHD, seems to follow me around. In addition determined to extract value from my purchase and reading of the weekend FT, I learned of potential key read:

Prempeh, C. THE AESTHETE. Koyo Kouoh, The curator of 2026 Venice Biennale talks whisky sours, working from bed and being the "high priestess of the okra church". HTSI, FTWeekend, 3 May 2025,pp.21-22.

'THE BEST BOOK I'VE READ IN THE PAST YEAR is a book on African philosophers, The Ink of the Scholars: Reflections on Philosophy in Africa, by Souleymane Bachir Diagne, one of our most brilliant thinkers. He challenges the idea that there isn't a philosophical framework to African societies. There are ideas around Africans being the great architects of hospitality and Diagne reflects on what the African approach to humanity is. What does it mean to be careful, mindful and caring? It's not just about welcoming people to your home or feeding them. Hospitality is carrying people, making people feel comfortable in your environment - it's intellectual and emotional. Everyone should read Diagne, full stop.' p.21. 

 

Shocked: I have just read of Koyo Kouoh's passing - RIP. 

Souleymane Bachir Diagne, & Jonathan Adjemian. (2016, May 23). The Ink of the Scholars: Reflections on Philosophy in Africa. CODESRIA Books Publication System. CODESRIA
https://publication.codesria.org/index.php/pub/catalog/book/40

See also: 'hospitality'

'It takes a village ...

individual

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INTERPERSONAL : SCIENCES

humanistic ------------------------------- mechanistic

SOCIOLOGY : POLITICAL

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group

... to raise a child.'

"The artist returned to this subject almost  twenty years after he had drawn his red chalk  studies of children walking and standing,  shown nearby. As was typical in Rembrandt's  later works, facial expressions and gestures  are indicated with sparse and abbreviated  lines. It is remarkable that with such economy  the artist conveys an encouraging atmosphere  from the figures who surround the child, as it  takes its first steps. The British artist David  Hockney described this as 'a perfect drawing' in an interview in 2016." 1912,0416.2'

Rembrandt van Rijn (1606-1669) A child being taught to walk, around 1656  Pen and brown ink on grey-brown paper.

The British Museum, Room 90. 28th September 2024.
https://www.britishmuseum.org/exhibitions/new-life-rembrandt-and-children

Information design: Tufte & Raskin

Art & Science

"Every major field of human activity is a mix of art and science. Theoretical physicists and professional mathematicians speak of the aesthetics of their work and are driven by concerns about elegance and beauty. Is a painter any less an artist for knowing perspective, understanding Josef Alber's elegant experiments and demonstrations about color, or being aware of chemical incompatibilities between various kinds of paint?

Designing the presentation of information, by the same token, partakes of the nature of both art and science. Edward Tufte's books reflect such a blend of knowledge. In one of them he outlines his five principles for designing graphics (1983: 105):" p.346.

[see below ...]

"The first four principles are (mostly) science-based. But the last, "revise and edit," tells us not only to check repeatedly that the first four conditions are met, but also apply our aesthetic judgement to the final work." p.347.

 INDIVIDUAL

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  INTERPERSONAL    :     SCIENCES               

HUMANISTIC --------------------------------------  MECHANISTIC   

SOCIOLOGY  :   POLITICAL 

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GROUP

5.revise and edit	above all else show the data maximize the data-ink ratio erase non-data ink erase redundant data ink *
5.revise and edit	5.revise and edit

N.B. Take note of the potential significance of 'revise and edit' in the Political domain, and its consequences socially and personally (and spiritually within the 5th domain). 

*In terms of #5 revise and edit, and as I work to complete a draft paper on:

Reflecting Society, Technology, COVID19 and Information Disorder within Hodges' Model

- the ability to create and generate deep fakes using technology and generative AI, presents a major SOCIO-POLITICAL challenge. When public trust in media is fractured then everything can be denied - 'The Liar's Dividend' (Gregory, 2022).

Gregory, S. (2022). Deepfakes, misinformation and disinformation and authenticity infrastructure responses: Impacts on frontline witnessing, distant witnessing, and civic journalism. Journalism, 23(3), 708–729. https://doi.org/10.1177/14648849211060644

Raskin, J. (2000). Presenting Information. In R. Jacobson (Ed.), Information Design (pp. 341-348). Cambridge, MA: The MIT Press. 

See also: (The link below may time out, but 'Try again' works here.)

https://web.archive.org/web/20010710223205/http://www.jefraskin.com/forjef2/jefweb-compiled/published/NursingTheoryForSite.html

Bleeding Hearts: From one domain to the others ...?

individual

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INTERPERSONAL : SCIENCES

humanistic ----------------------------------------------- mechanistic

SOCIOLOGY : POLITICAL

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group - population

	Bleeding Hearts (59)  by Andrew Folan

 

Artist: Andrew Folan 

My source: Printmaking Today, Summer 2020, Vol 2, Issue 114, p.4.

See also: Artisan Media USA

 

2020 Clear Vision - 4 - Clear Care

Care concept ink *

To highlight Care - Assessment, Plan, Intervention, Evaluation, Co-Production through
improved engagement and formulation

Care concept ink

(enhance)

Vs.

Non-Care concept ink

(reduce)

*A definition of collaborative care, co-production and health literacy ... could involve assurance as to whether a particular concept has significance for the patient/carer/guardian.


My source:
https://youtu.be/B2FDbGUzNRI

In a series of videos from BMJ, Prof. Maarten Boers will show you how to choose and design better graphs and tables.

https://www.youtube.com/playlist?list=PLXU14EQbU_V9JpmolAKsaCC0VjJzbxzAN