'Elegy' by Gabriel Goliath - Venice Biennale
For over a decade now, Gabrielle Goliath has staged performances of Elegy across South Africa and the world, invoking the absent presence of women and LGBTIQ+ people lost to fatal acts of racial-sexual violence. In each performance, a group of seven women singers enact a ritual of mourning, collectively sustaining a single, haunting tone for the course of an hour. As one singer falters, another steps up to pick up the note, and so it continues, a cyclic threading of shared breath and voice.“Elegy is wound and medicine when mourning itself is under threat”
- Christina Sharpe & Rinaldo Walcott
Elegy is a life-work of mourning. It is a cry, a lament, a tender refrain of remembrance, repair and black feminist love.
Each performance of Elegy is accompanied by a eulogistic text, scripted by a family member or friend of the individual commemorated: for Sinoxolo, Koketso, Noluvo, Lerato, Kerabo, and more… Other performances address historical cases of violence against women and otherwise-feminised bodies in colonial and slaveocratic contexts. For these, speculative texts by collaborating scholars reach across generations, geographies and archival erasures, recalling these ‘past’ losses and accounting for a present of anti-black, anti-femme violence.
Refusing spectacle and the objectification of bodies deemed rapeable and killable, Elegy asserts conditions of hope and avowal: affirming black, brown, indigenous, femme, queer and trans lives as loveable and grieveable. It is a work of regard, of specificity and care. For those immersed in its sonic vigil, it offers a space for shared grief and radical refusal - for the urgent, ongoing life-work of mourning.
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Source: Gabriel Goliath - https://www.gabriellegoliath.com/
May 5 - July 31, elegyinvenice.com
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INTERPERSONAL : SCIENCES
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SOCIOLOGY : POLITICAL
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orcid.org/0000-0002-0192-8965
