Yves Klein 'Anthropométrie sans titre'
Hodges' model is a conceptual framework to support reflection and critical thinking. Situated, the model can help integrate all disciplines (academic and professional). Amid news items, are posts that illustrate the scope and application of the model. A bibliography and A4 template are provided in the sidebar. Welcome to the QUAD ...
Posted by Peter Jones at 3:54 pm | PERMALINK
Labels: anthropology , art , artist , arts , body , exhibition , figure , form , gender , history , measurement , mechanistic , painting , physical , print , relations , relationships , representation , time , woman
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| "Rational Concepts" 1977 by Norman Dilworth. Tate © Norman Dilworth |
Hodges' model: seeking rational* concepts to deliver person-centred, integrated care and make sense of subjective and objective realities.
ARTIST Norman Dilworth 1931 – 2023 [Born in Orrell, Wigan]
MEDIUM Screenprint on paper
DIMENSIONS Image: 600 × 600 mm
COLLECTION Tate
ACQUISITION Purchased 1981
REFERENCE P07424
[NOT ON DISPLAY]
Tate: https://www.tate.org.uk/art/artworks/dilworth-rational-concepts-p07424
*Irrational too.
I sketched Dilworth's image on 5th March at Tate Liverpool, the exhibition: "Keywords. Art, Society and Culture in 1980s Britain" from 28 Feb 2014 to 11 May 2014.
Posted by Peter Jones at 3:22 pm | PERMALINK
Labels: art , axes , concepts , domains , drawing , equilibrium , exhibition , Hodges' model , images , lines , museums , object , part , print , rationality , sense making , sketch , subject , Tate , whole
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My source: Anaïs Charras [image], Artist's Eye. Printmaking Today, Vol 31, Issue 121, Spring 2022, p.50.
*We - the people - can, must and will prevail.
Related post: https://hodges-model.blogspot.com/2020/11/self-care-tree-girl.html
"This paper presents rock art as a collective action in which different strata of society took part, including children and subadults. Until recent decades archaeology of childhood has not been in the main focus of the archaeological research, much less the participation of those children in the artistic activity. The present study approaches the palaeodemography of artists in the decorated caves through the paleolithic rock art itself. The approximate age of these individuals has been calculated through the biometric analysis of hand stencils in the caves of Fuente del Salín, Castillo, La Garma, Maltravieso and Fuente del Trucho, using 3D photogrammetric models as reference. The results have been compared with a modern reference population in order to assign the Palaeolithic hands to certain age groups. It has been demonstrated the presence of hand stencil motifs belongs to infants, children and juveniles, revealing this stratum's importance in the artistic activity."
Fernández-Navarro, V., Camarós, E., & Garate, D. (2022). Visualizing childhood in Upper Palaeolithic societies: Experimental and archaeological approach to artists’ age estimation through cave art hand stencils. Journal of Archaeological Science, 140, 105574. https://doi.org/10.1016/j.jas.2022.105574
My source:
Posted by Peter Jones at 6:02 pm | PERMALINK
Labels: activity , age , archaeology , art , cave , creativity , culture , family , hand , humanity , metrics , parietal art , prehistory , print , research , science , self , self expression , therapy , time
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| Sol LeWitt, A Square Divided Horizontally and Vertically into Four Equal Parts, Each with a Different Direction of Alternating Parallel Bands of Lines 1982 . Tate . © The estate of Sol LeWitt |
Posted by Peter Jones at 1:35 pm | PERMALINK
Labels: art , axes , concepts , conceptual art , equality , exhibition , Hodges' model , ideas , improvisation , interpretation , lines , making , materials , objects , outcomes , person-centred , print , process , space , Tate Modern
giclee print with silkscreen varnish
41.5 x 29 cm unframed
Edition of 300, signed and numbered
Extraordinary People is an edition of 300 signed and numbered giclee prints measuring 41.5 cm x 29 cm and is sold unframed. All profits from the sale of this edition will be donated to the NHS Covid- 19 Urgent Appeal which supports NHS staff and volunteers caring for COVID-19 patients . The print is priced at £120 plus shipping and is available now. Due to the current pandemic we do not expect to be able to deliver this print until September 2020.
Like everyone else we are extremely grateful for the tireless work being done by our extraordinary NHS staff in near impossible circumstances. We owe them a collective debt we will never fully be able to repay. We'd like to offer our deepest thanks to each and every one of you.
giclee print with silkscreen varnish
41.5 x 29 cm unframed
Edition of 300, signed and numbered
http://www.theconnorbrothers.com/shop/extraordinary-people
See also:
"Blind to the Big Picture" and Parity of Esteem
My source:
The art world is back in business, MoneyWeek, 15 May 2020. Issue 999, p.35.
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Posted by Peter Jones at 6:22 pm | PERMALINK
Labels: architecture , art , artist , belief , creativity , exhibition , faith , history , Hodges' model , individual , measures , painting , print , public understanding , religion , representation , sciences , Tate , understanding
Posted by Peter Jones at 8:39 pm | PERMALINK
Labels: abstract , art , artist , arts , boundaries , cloud , colour , flow , form , geometry , Hodges' model , interpretation , patterns , print , sciences , space , structures
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| Sandra Blow RA. IV Square (2004) |
Posted by Peter Jones at 5:43 pm | PERMALINK
Labels: arts , care domains , colour , geometry , Hodges' model , humanistic , humanities , images , knowledge , magazine , mechanistic , print , printing , printmaking , public , sciences , sociology , structures , uncertainty , understanding
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| Calculated Risk (2018) Ciara Phillips Relief print and screen-print on paper on paper Copyright - Courtesy of the artist. |
Posted by Peter Jones at 2:38 pm | PERMALINK
Labels: artist , arts , hand , images , magazine , meaning , print , printmaking , risk
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"Singaporean artist Donna Ong sources tropical imagery from 18th-century lithographs for her work, Four Colours Make a Forest, which looks at interpretations of the tropics as alluring paradise or places of threat. She will present two perceptions of jungle on a billboard: on one side a collaged layout of tropical landscape prints (a colonial view), on the other a digital camouflage pattern (a militarized view).".p.24.
Posted by Peter Jones at 7:35 pm | PERMALINK
Labels: arts , colour , environment , exhibition , fear , images , interpretation , landscape , meaning , military , nature , print , printing , representation , space , vision
Posted by Peter Jones at 11:46 pm | PERMALINK
Labels: arts , boxes , context , critical thinking , effort , footprint , history , meaning , mechanistic , myth , narrative , patients , print , printing , reflection , self , situated , stories , storytelling , work
VA ".. how important is the notion of the book or the page to your research and outcomes?" AGV "They are fundamental to my research. | I explore the double-page spread as a material support and a discursive space for visual ideas within an exhibition context. ... |
The double-page spread is for me an extended space, a place to develop a site-specific practice. |
... My intention is to generate meaning through symbolic signification, enhancing its material qualities through mirroring, folds, reflections and echoes." |
Michel Serres:
"Intelligence is not about knowing axiomatically how to reason... The French 16th Century philosopher Montaigne already had dismissed the concept of a 'well-stuffed head'. The advent of the printing press made the memorization of Ulysses' travels and of folk tales - the support of knowledge at that time - redundant. Montaigne saw no longer use in memorizing a library that was potentially infinite. But does not the Internet ask for a 'well-endowed head'? Won't the best surfer be a 'Jack of all trades'? The fastest surfer is not going to be your typical Ivy-league super-titled philosopher: That guy's head will be simply too loaded to sort it out on the Net. So, there will be fresh opportunities for those who were viewed by society as laggards. It is a clean start with equal opportunities for all."Source:
Posted by Peter Jones at 10:33 pm | PERMALINK
Labels: deep learning , education , generalists , history , inclusion , informatics , intelligence , knowledge , learning , memory , pantology , philosophy , print , reasoning , Serres , specialist
Born in Liverpool, NW England, UK.
Community Mental Health Nurse NHS, Part-time Lecturer,
Researcher Nursing & Technology Enhanced Learning
Registered Nurse - Mental Health & General
Community Psychiatric Nursing (Cert.) MMU
PG Cert. Ed.
BA(Joint Hons.) Computing and Philosophy - BIHE - Bolton
PG(Dip.) Collaboration on Psychosocial Education [COPE] Univ. Man.
MRES. e-Research and Technology Enhanced Learning, Lancaster Univ.
Live and work in NW England - seeking a global perspective.
The views expressed on W2tQ are entirely my own, unless stated otherwise.
Comments are disabled.
If you would like to get in touch please e-mail me at
h2cmng AT yahoo.co.uk
orcid.org/0000-0002-0192-8965-=<>=-
